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Saturn Devouring His Son is a painting by Spanish artist Francisco Goya. The work is one of the 14 so-called Black Paintings that Goya painted directly on the walls of his house some time between 1820 and 1823. [1] It was transferred to canvas after Goya's death and is now in the Museo del Prado in Madrid.
Saturn (1636) by Rubens. Saturn or Saturn Devouring His Son is a 1636 painting by the Flemish artist Peter Paul Rubens, now in the Museo del Prado, in Madrid. [1]It was commissioned for the Torre de la Parada by Philip IV of Spain and shows the influence of Michelangelo on Rubens, which he had picked up on his journey to Italy.
Saturn Devouring His Son, one of the Black Paintings by Goya (1819–1823). A series of parallel themes also exist in Disasters of War and the eponymous unnumbered print The Giant or Colossus, dating from between 1814 and 1818, [4] which shows a giant seated in a dark and desolate landscape with a crescent moon in the top corner. However, the ...
The Black Paintings (Spanish: Pinturas negras) is the name given to a group of 14 paintings by Francisco Goya from the later years of his life, probably between 1820 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity.
Los Caprichos is a series of 80 etchings published in 1799 wherein Goya criticized the rampant political, social, and religious abuses of the time period. In this series of etchings, Goya heavily utilized the popular technique of caricature, which he enriched with artistic innovation.
He went to exile in France in 1824, and ownership of the house passed to his grandson Mariano. [17] An 1830 inventory by Brugada indicates that the work took a full wall between two windows on the first floor, opposite A Pilgrimage to San Isidro. [18] On the wall to the right were Saturn Devouring His Son and Judith and Holofernes.
Saturn Devouring His Son is a name given to one of around 14 works by Francisco Goya which comprise his so called "Black Paintings" series. Each was created when Goya was in his latter years and seemingly preoccupied both by fears for his own mental stability and a general loss of faith in the direction of contemporary Spanish society. Reason
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