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Georg Jensen Damask has collaborated with designers such as John Becker, [3] Bodil Bødtker-Næss, [3] Knud V. Engelhardt, [3] Arne Jacobsen, Nina Ferlov, Grethe Sørensen, [6] Bent Georg Jensen, Vibeke Klint, Kim Naver and Jette Nevers [7] This has been an important source of interest for Nevers for a considerable time.
Damask (/ˈdæməsk/; Arabic: دمشق) is a woven, reversible patterned fabric. Damasks are woven by periodically reversing the action of the warp and weft threads. [ 1 ] The pattern is most commonly created with a warp-faced satin weave and the ground with a weft-faced or sateen weave. [ 2 ]
Grayscale images have many shades of gray in between. Grayscale images can be the result of measuring the intensity of light at each pixel according to a particular weighted combination of frequencies (or wavelengths), and in such cases they are monochromatic proper when only a single frequency (in practice, a narrow band of frequencies) is ...
Check (also checker, Brit: chequer, or dicing) is a pattern of modified stripes consisting of crossed horizontal and vertical lines which form squares.The pattern typically contains two colours where a single checker (that is a single square within the check pattern) is surrounded on all four sides by a checker of a different colour.
In carpentry, scrim is a very heavy, coarsely-woven fabric (similar to hessian or to coarse canvas) which is stretched over interior boards to provide support for wallpaper and to add extra rigidity. This method of construction, widely used in older houses, is often referred to as " Scrim and sarking ", the sarking being the board.
The cultivation of silk, however, ushered the development of weaving, and by the time of the Han dynasty, brocade, damask, satin, and gauze had been developed. [ 19 ] Han dynasty tomb wall carving depicting the legendary Yellow Emperor , who was said to have lived in the 3rd millennium BCE .
In 1810, Marie-Louise acquired gondola-shaped chairs, painted in grey with white rechamp, upholstered by the upholsterer Darrac in toile de Jouy with a green background inlaid with a medallion. The two armchairs, four chairs, and two footstools were reupholstered in 1828 by Laflèche in damask jaune. [ 157 ]
Jamdani was originally known as Dhakai (Daccai) named after the city of Dhaka (Dacca), one of many ancient textile weaving centers in Bengal region. [5] Under the Mughal Empire the Persian term Jamdani came to be in popular use, since it was the court language of the Mughals.
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