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Galliard in Siena, Italy, 15th century. The galliard (/ ˈ ɡ æ l j ər d /; French: gaillarde; Italian: gagliarda) was a form of Renaissance dance and music popular all over Europe in the 16th century. It is mentioned in dance manuals from England, Portugal, France, Spain, Germany, and Italy.
In a triple meter, the tourdion's "was nearly the same as the Galliard, but the former was more rapid and smooth than the latter". [1] Pierre Attaingnant published several tourdions in his first publication of collected dances in 1530, which contains, as the sixth and seventh items, a basse dance entitled "La Magdalena" with a following tourdion [2] (it was only in 1949 that César Geoffray ...
One dance for couples, a form of the galliard called volta, involved a rather intimate hold between the man and woman, with the woman being lifted into the air while the couple made a 3 ⁄ 4 turn. Other dances, such as branles or bransles, were danced by many people in a circle or line.
Historical dance (or early dance) is a term covering a wide variety of Western European-based dance types from the past as they are danced in the present. Today historical dances are danced as performance , for pleasure at themed balls or dance clubs, as historical reenactment , or for musicological or historical research.
The dance begins with a galliard. Then the couple makes a transition to a closed position. The leader (the man, according to period custom) lets go of his partner's hand and takes hold of her below her busk with one hand, and places the other hand on her back above the far hip. The follower places her near hand on top of her partner's near ...
A highlight of the festival will be the Central Ohio Dance Studio Showcase featuring dancers from 17 companies and studios. Skip to main content. 24/7 Help. For premium support please call: 800 ...
Other dances referred to in English Renaissance plays such as the galliard, pavane, and volta are described in French and Italian dancing manuals by Thoinot Arbeau and Fabritio Caroso among others. Some of the country dances Shakespeare mentions appear in John Playford's The English Dancing Master (1651), but Playford's choreographies probably ...
Front page of The First Booke of Songes or Ayres of Foure Partes with Tableture for the Lute, 1597 "Can She Excuse My Wrongs" is a late 16th-century song by the English Renaissance composer John Dowland, the fifth song in his First Booke of Songes or Ayres (Peter Short, London 1597).
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