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The video was directed by The Malloys, and served as a tie-in to the song's appearance in the film Me, Myself & Irene. It mainly features Dave Grohl playing a character who has a " multiple personality " disorder (just like Charlie Baileygates/Hank, Jim Carrey 's character in the film) while taking his girlfriend to see the movie at a drive-in.
Traylor Elizabeth Howard [2] (born June 14, 1966) [1] is an American actress. From 2005 to 2009, Howard played Natalie Teeger in the USA Network television series Monk.She has also starred on the sitcoms Boston Common (1996–1997) and Two Guys and a Girl (1998–2001), while her film credits include Dirty Work (1998), Me, Myself & Irene (2000), and Son of the Mask (2005).
On October 31, a video appeared on the official Foo Fighters YouTube channel showing a motorcyclist, later revealed to be Erik Estrada, delivering each of the band members an invitation to play in Mexico. [61] On January 16, 2014, a picture was posted to the Foo Fighters' Facebook page with several master tapes labeled LP 8. [62]
The Foo Fighters were also one of the first actively touring bands to get back onstage once COVID restrictions eased up in 2021, starting with a six-song set at SoFi Stadium’s Vax Live event on ...
There Is Nothing Left to Lose is the third studio album by American rock band Foo Fighters, released on November 2, 1999, through Roswell and RCA Records.It marked the first studio credit for drummer Taylor Hawkins, and is often seen as a departure from the band's previous work, showcasing a softer, more experimental sound.
A triumphant Dave Grohl thrusts his guitar into the air as Foo Fighters play Raleigh, N.C.’s Coastal Credit Union Music Park at Walnut Creek, Tuesday night, May 7, 2024. Scott Sharpe/ssharpe ...
Foo Fighters.” 20 years later, Walken returned to the show, this time introducing the “Everlong” band correctly: “Ladies and gentlemen, Foo Fighters.” He also played the spirit of ...
"Big Me" is the fourth single by Foo Fighters from their self-titled debut album. [5] Released in the spring of 1996, the song became a crossover hit for the band on pop radio, when it reached #13 on the Billboard Hot 100 Airplay .
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