Search results
Results from the WOW.Com Content Network
The Funeral of Patroclus (1778) by Jacques-Louis David. The Funeral of Patroclus is a 1778 oil-on-canvas painting by the French artist Jacques-Louis David.It shows the funeral of Patroclus during Trojan War, with his body and Achilles at the foot of the pyre and Hector resting on his chariot on the right.
When the tide of the war turned against the Achaeans, Patroclus, disguised as Achilles and defying his orders to retreat in time, led the Myrmidons in battle against the Trojans and was eventually killed by the Trojan prince, Hector. Enraged by Patroclus's death, Achilles ended his refusal to fight, resulting in significant Greek victories.
Patroclus succeeds in pushing the Trojans back from the beaches, but is killed by Hector before he can lead a proper assault on the city of Troy. After receiving the news of the death of Patroclus from Antilochus, the son of Nestor, Achilles grieves over his beloved companion's death. His mother Thetis comes to comfort the distraught Achilles.
Menelaus supporting the body of Patroclus, in the Loggia dei Lanzi, Florence, Italy. The Pasquino Group (also known as Menelaus Carrying the Body of Patroclus or Ajax Carrying the Body of Achilles) is a group of marble sculptures that copy a Hellenistic bronze original, dating to ca. 200–150 BCE. [1]
St. Patrokli, Soest. Gregory of Tours recounts that a small chapel was built over the saint's grave at Saint-Parres-aux-Tertres. [4] [5]Bruno I, Archbishop of Cologne transported Patroclus' relics from Troyes to Cologne in 962, and transferred them in 964 to Soest, Germany, where they are held in the church St. Patrokli, dedicated to the saint. [2]
Achilles bandages the arm of Patroclus. The relationship between Achilles and Patroclus is a key element of the stories associated with the Trojan War.In the Iliad, Homer describes a deep and meaningful relationship between Achilles and Patroclus, where Achilles is tender toward Patroclus, but callous and arrogant toward others.
This romanticized, domestic view of their relationship contrasts with book 19, in which Briseis herself speaks. As she laments Patroclus's death, she wonders what will happen to her without his intercession on her behalf, saying that Patroclus promised her he would get Achilles to make her his legal wife instead of his slave. [11]
On a canvas of 146 square feet, this painting was first exhibited at the Paris Salon in 1789. The subject is the Roman leader Lucius Junius Brutus, founder of the Roman Republic, contemplating the fate of his sons. They had conspired to overthrow the republic and restore the monarchy, and Brutus himself was compelled to order their deaths. In ...