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2. Dynamics (music) - Wikipedia

   en.wikipedia.org/wiki/Dynamics_(music)

   In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.

3. Libera me, WAB 22 - Wikipedia

   en.wikipedia.org/wiki/Libera_me,_WAB_22

   Libera me, Domine: homophonic, 18 bars, ending pianissimo on per ignem with a bare fifth Tremens fac : five-voice fugato , 23 bars, ending in homophonic fortissimo on Quando cœli Dies illa : 25 bars, in canon , with a variety of imitative textures, ending in homophonic fortissimo on Dum veneris

4. Piano Sonata No. 3 (Beethoven) - Wikipedia

   en.wikipedia.org/wiki/Piano_Sonata_No._3_(Beethoven)

   Following a broken-chords section filled with harmony changes, the main theme is restated in D major (pianissimo), the supertonic key of C major. Then a fortissimo and Beethoven's very common syncopations appear in the music giving a rhythm, this continues on to the resolution.

5. Symphony No. 3 (Beethoven) - Wikipedia

   en.wikipedia.org/wiki/Symphony_No._3_(Beethoven)

   This is followed by a pianissimo restart in B ♭ (m. 73), which is when the A theme is heard again, leading to a full fortissimo statement in the tonic key of E ♭ (m. 93). Later, a downward arpeggio motif with sforzandos on the second beat is played twice in unison , first by the strings (mm. 115–119) and then by the full orchestra (mm ...

6. Ariettes oubliées - Wikipedia

   en.wikipedia.org/wiki/Ariettes_oubliées

   As the final piece of the cycle, "Spleen" describes a pleading lover and the ultimate fragility of the relationship at stake. The accompaniment starts out slow (Lent) and pianissimo, ultimately building to a grand fortissimo. The piece ends with a molto rallentando, back to pianissimo and into the lyric "hélas !" ultimately signifying the rest ...

7. Schubert's last sonatas - Wikipedia

   en.wikipedia.org/wiki/Schubert's_last_sonatas

   After an abrupt end to the second theme and a pregnant pause, a minor dotted-rhythm chordal theme in F-minor suddenly enters fortissimo, elaborating and modulating before sublimating into a pianissimo version of itself in the parallel major. This third theme is highly similar in rhythm and melodic contour as well as left-hand pattern to the ...

8. Kol Nidre - Wikipedia

   en.wikipedia.org/wiki/Kol_Nidre

   Download as PDF; Printable version; ... in varying intensities from pianissimo (quiet) to fortissimo (loud), ... as it is a form of hatarat nedarim ...

9. Prelude in C-sharp minor (Rachmaninoff) - Wikipedia

   en.wikipedia.org/wiki/Prelude_in_C-sharp_minor...

   The piece opens with a three-note motif at fortissimo that introduces the C-sharp minor tonality that dominates the piece. The cadential motif repeats throughout. In the third bar, the volume changes to a piano pianissimo for the exposition of the theme. The second part is propulsive and marked Agitato (agitated), beginning with highly ...