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A "row" in the theory of Iranian music, is the arrangement of songs and melodies. Each of these songs, called a corner. Instrument. "Instrument" in traditional Iranian music, refers to a collection of several melodies (corners) that are in harmony with each other in steps, tunes, and intervals of notes. Song. "Song", here is: A special kind of ...
Later, the arrival of new western influences, such as the use of the guitar and other western instruments, marked a turning point in Iran's popular music by the 1950s. [18] Iranian pop music is commonly performed by vocalists who are accompanied with elaborate ensembles, often using a combination of both indigenous Iranian and European instruments.
The 5th above (marked with "M") is a Moteqayyer (meaning variable in Persian). When the melodic line is descending, it is usually lowered by a micro tone from a to a (a koron ). This lowering is responsible for the creation of a sense of finalis for the 4th above, since by lowering the a ♮ to a , the original tetrachord is recreated from g.
Dastgāh-e Māhūr or Dastgaah-e Maahur (Persian: دستگاه ماهور; Azerbaijani: Mahur) is one of the seven Dastgāhs of Persian Music (Classically, Persian Music is organized into seven Dastgāhs and five Āvāzes, however from a merely technical point of view, one can consider them as an ensemble of 12 Dastgāhs).
Dastgāh (/ d æ s t ˈ ɡ ɑː /; Persian: دستگاه, Classical: [dastˈɡɑːh], Iran: [dæstˈɡɒː(h)]) is the standard musical system in Persian art music, standardised in the 19th century following the transition of Persian music from the Maqam modal system. A dastgāh consists of a collection of musical melodies, gushehs.
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Mara Beboos (Persian: مرا ببوس which means kiss me) is a musical composition with poetry by "Heydar Raqabi" and music by "Majid Vafadar".Initially performed by a Qashqai singer named "Batool Rezaei" with the stage name "Parvaneh" using the artistic name, but it gained fame and longevity through the rendition by "Hassan Golnaraghi," a renowned and enduring performer.
Iran's western-influenced pop music emerged by the 1950s. [4] Prior to the 1950s, Iran's music industry was dominated by traditional singers. [4] Viguen, known as the "Sultan" of Iranian pop and jazz music, was a pioneer of this revolution. [4] [3] [5] [2] He was one of Iran's first musicians to perform with a guitar. [4]