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This category collects cover images that are scans, in whole or in part, of pulp magazines. Pulp magazine covers on Commons. The Spider 1
The first "pulp" was Frank Munsey's revamped Argosy magazine of 1896, with about 135,000 words (192 pages) per issue, on pulp paper with untrimmed edges, and no illustrations, even on the cover. The steam-powered printing press had been in widespread use for some time, enabling the boom in dime novels; prior to Munsey, however, no one had ...
Pulp magazine covers (5 F) Pages in category "Pulp magazines" The following 119 pages are in this category, out of 119 total.
Subsequently, Dell Publishing asked him to provide several cover paintings for Sure-Fire Screen Stories and Ace-High Magazine. [8] In August 1934, Ward married Viola Conley, who became his model for all the women in his pulp magazine covers. [9] Eschewing the use of photographs, he painted her directly from life. [9]
The covers were initially all painted by Walter Baumhofer, and pulp historian Ed Hulse suggests that his "uniformly impressive" work played a significant part in the rapid success of the magazine. Baumhofer left Street & Smith in 1936; he was succeeded as Doc Savage ' s cover artist by R. G. Harris, and then in 1938 by Emery Clarke.
In 1939, Brundage painted two covers for Golden Fleece, a Chicago-based pulp magazine that specialized in historical fiction. [ 4 ] She continued to draw after her relationship with the magazine ended, and appeared at a number of science fiction conventions and art fairs, where some of her original period works were stolen.
Stoll Karn is acknowledged for her work in the Pulp Fiction Industry during the 1940s. Karn was one of the few female illustrators working in this field at the time. Karn published over 100 full color covers in pulp magazines during her career. She often drew pictures of young couples or brave soldiers and cowboys or grizzled detectives and ...
August 1930 cover of the pulp magazine, Amazing Detective Tales, signed by Earle K. Bergey. [1] A landmark image from the early stages of Bergey's career, this is the only cover the artist produced for a Hugo Gernsback publication.
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