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Tenor Madness is an album by jazz musician Sonny Rollins released in October 1956 by Prestige Records. [1] [2] It is most notable for its title track, the only known recording featuring both Rollins and John Coltrane.
The title track is the only recording of Rollins with John Coltrane, who was also a member of Davis's group. [ 3 ] At the end of the year Rollins appeared as a sideman on Thelonious Monk's album Brilliant Corners and also recorded his own first album for Blue Note Records , entitled Sonny Rollins, Volume One , with Donald Byrd on trumpet ...
Sonny Rollins " Oleo " is a hard bop composition by Sonny Rollins , written in 1954. It has become a jazz standard , [ 2 ] and has been performed by numerous jazz artists such as Miles Davis , John Coltrane , and Bill Evans .
Bass Blues (John Coltrane with the Red Garland Trio a.k.a. Traneing In – 8/23/57) Soft Lights And Sweet Music (John Coltrane with the Red Garland Trio a.k.a. Traneing In – 8/23/57) Traneing In (John Coltrane with the Red Garland Trio a.k.a. Traneing In – 8/23/57) Slow Dance (John Coltrane with the Red Garland Trio a.k.a. Traneing In – 8 ...
Marsalis's first recording for his new label Marsalis Music after 18 years on Sony Music, the album features the quartet's recording of four significant works of jazz from the years 1955 to 1964, including works by Ornette Coleman, Sonny Rollins (The Freedom Suite), John Coltrane (A Love Supreme), and the Modern Jazz Quartet.
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music.
John Coltrane recorded his version with vocalist Johnny Hartman ten years after Ventura in 1963 (John Coltrane and Johnny Hartman). This was followed by Sonny Rollins in 1964. He re-recorded it in 1977, this time on soprano saxophone. Later interpretations came from Chico Freeman, Michael Brecker, and Joshua Redman.
"Mr. P.C." is a twelve-bar jazz piece in minor blues form, composed by John Coltrane in 1959. The song is named in tribute to the bass player Paul Chambers, [1] who had accompanied Coltrane for years. It first appeared on the album Giant Steps, where it was played with a fast swing feel. [2]