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Saxophone altissimo is generally considered to be any note that is higher than written high F ♯, which is considered the highest note in the saxophone's regular range.. Altissimo is produced by the player using various voicing techniques such as air stream, tongue, throat and embouchure variations to disturb the fundamental of a note, which results in one of the higher overtones domina
Mule's lack of enthusiasm may have been partly because, in the original key of F major, the solo part extends into the altissimo register, with frequent occurrences of the (notated) high F ♯ and G. Mule owned a Selmer Mark VI soprano saxophone, which does not have the keywork required to quickly and easily play in this extended range. [8]
He was the featured soloist on The Music from Peter Gunn soundtrack, performing the alto saxophone solo on the theme and on the second bridge of "Dreamsville". [5] He was known for his mastery of the extreme altissimo register of the saxophone. He wrote Ted Nash's Studies in High Harmonics for Tenor and Alto Saxophone published in 1946. [6]
The alto saxophone has a large classical solo repertoire that includes solos with orchestra, piano, and wind symphony. Two important solo compositions are Jacques Ibert's "Concertino da Camera" and Alexander Glazunov's "Concerto in E Flat major". The alto saxophone is found in the standard instrumentation of concert bands and saxophone quartets ...
In his playing Desmond was also notable for his ability to produce extremely high notes, the altissimo register, on his saxophone. Desmond played a Selmer Super Balanced Action model alto saxophone with an M. C. Gregory model 4A-18M hard rubber mouthpiece, both dating from circa 1951, with a moderately stiff Rico 3 ½ reed. [21]
Dream in A Bar for baritone saxophone and percussion; Erg for wind ensemble, harp, piano, and bass (1990) Hard for tenor saxophone solo (1988) Hoggar for orchestra (1995) Kwintus for violin (2000) The Lose Forest for ensemble of 12 saxophones (1983) Massaï for alto saxophone and bass clarinet or tenor saxophone (2010) Morphing for string ...
Solo de Concours Op. 13 for Alto Saxophone and Piano (1874)—Paul Agricole Génin; Le Val Fleuri (1888)—Louis Ganne; Hot-Sonate (1930)—Erwin Schulhoff; Sonata for Alto Saxophone and Piano (1931)—Wolfgang Jacobi; Suite for Alto Saxophone and Piano (1935)—Paul Dessau; Aria for alto saxophone and piano (1936)—Eugène Bozza
The genre of solo saxophone has a rich, but largely unmapped history in contemporary music, particularly jazz. [1] Many, but not all, musicians who play and record solo saxophone use extended techniques, a vocabulary of the saxophone beyond its normal range.
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