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Aloísio Sérgio Barbosa de Magalhães (November 5, 1927 - June 13, 1982) was a Brazilian graphic designer. [1] He is considered a pioneer in the introduction of modern design in Brazil, having helped found the first higher design institution in the country, entitled Industrial Design School of Rio de Janeiro (ESDI).
On March 29, the coup's start was scheduled by the Castelo Branco group for April 2, coinciding with a large march along the lines of the March of the Family in Rio de Janeiro. The CGT denounced that a coup would take place on that date. [211] [212] Another date cited was the night of April 10, starting in São Paulo. [37]
The 1937 Brazilian coup d'état (Portuguese: Golpe de Estado no Brasil em 1937), also known as the Estado Novo coup, [1] was a military coup in Brazil led by President Getúlio Vargas with the support of the Armed Forces on 10 November 1937.
Carlos Fico, a military historian at the Federal University of Rio de Janeiro, said that the alleged coup attempt may have been "less motivated by ideology and doctrine than a desire to maintain a ...
De Martí a Fidel: A Revolução Cubana e a América Latina. Rio de Janeiro: Civilização Brasileira. Napolitano, Marcos (2014). 1964: História do Regime Militar Brasileiro. São Paulo: Contexto. Reis, Daniel Aarão (2005). Ditadura militar, esquerdas e sociedade. Rio de Janeiro: Jorge Zahar. Ridenti, Marcelo (1993). O fantasma da revolução ...
The Copacabana Fort revolt (Portuguese: Revolta do Forte de Copacabana), also known as the 18 of the Fort revolt (Revolta dos 18 do Forte), was one of several movements coordinated by rebel factions of the Brazilian Army against the president of Brazil, Epitácio Pessoa, and the winner of the 1922 presidential election, Artur Bernardes.
Perched high atop Corcovado Mountain, the Cristo Redentor, as Brazilians call it, is a postcard not only for the city of Rio de Janeiro but for the entire country. But now, its management and ...
The photographical reproduction of this work is covered under the article 48 of the Brazil copyright law, which states: Works permanently located in public places may be freely represented by painting, drawing, photography and audiovisual processes. Warning: FoP is allowed in Brazil, including commercial use, to some extent. Artworks placed in ...