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The Thousand Character Classic (Chinese: 千字文; pinyin: Qiānzì wén), also known as the Thousand Character Text, is a Chinese poem that has been used as a primer for teaching Chinese characters to children from the sixth century onward. It contains exactly one thousand characters, each used only once, arranged into 250 lines of four ...
The first two known history books about Chinese literature were published by Japanese authors in the Japanese language. [80] Kojō Tandō wrote the 700 page Shina bungakushi (支那文学史; "History of Chinese Literature"), published in 1897. Sasakawa Rinpū wrote the second ever such book in 1898, also called Shina bungakushi. [81]
Written Chinese is one of the oldest continuously used writing systems. [26] The earliest examples universally accepted as Chinese writing are the oracle bone inscriptions made during the reign of the Shang king Wu Ding (c. 1250 – c. 1192 BCE). These inscriptions were made primarily on ox scapulae and turtle shells in order to record the ...
In the Fuzhou dialect of Min Dong, literary readings are mainly used in formal phrases and words derived from the written language, while the colloquial ones are used in more colloquial phrases. Phonologically, a large range of phonemes can differ between the character's two readings: in tone, final, initial, or any and all of these features.
East Asian literature is the diverse writings from the East Asian nations, China, Japan, Korea, Mongolia and Taiwan. Literature from this area emerges as a distinct and unique field of prose and poetry that embodies the cultural, social and political factors of each nation.
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These novels were written in a mixture of vernacular and classical Chinese, [1] though some were more completely vernacular. [22] For instance, Romance of the Three Kingdoms is known for its mix of classical prose with folklore and popular narratives, [ 23 ] while the Dream of the Red Chamber is known for the use of poetry within its mostly ...
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