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Raja Balwant Singh examining a painting with Nainsukh, 1745–1750, Rietberg Museum. Raja Balwant Singh making a Hindu puja, c. 1750 Raja Dhrub Dev assesses a horse; it was usual for horses to be shown off in front of a white sheet, to better appreciate their form. Nainsukh (lit. ' Joy of the Eyes '; c. 1710 [1] – 1778) was an Indian painter.
English: Chitralekha, by Raja Ravi Varma. 50 x 35 cm, The Hemamalini and Ganesh Shivaswamy collection, Bengaluru. Print from the Ravi Varma Press derived from a painting by Raja Ravi Varma depicts an incident in the Bhagavata. The central figure is Usha, the daughter of Banasura who dreams of a prince, Aniruddha, the grandson of Krishna.
Raja Balwant Singh’s Vision of Krishna and Radha by Nainsukh. Jasrota, c. 1745-1750. Metropolitan Museum of Art. The Kangra art style originated in Guler State, a small hill princely state in the Lower Himalayas in the first half of the 18th century when a family of Kashmiri painters trained in the Mughal painting style sought shelter at the court of Raja Dalip Singh (r. 1695–1741) of Guler.
The daughter of Banasura, Uṣā, once dreamt of Aniruddha, the grandson of Krishna.Uṣā fell in love with the youth, despite not knowing his identity. The following morning, after hearing her friend's tale and observing her gloom, Chitralekha made portraits of many known charming princes, but Uṣā was unable to identify them as the youth of her dream.
Radha-Krishna theme, from the Gita Govinda in Pahari style, Garhwal sub-school. Pahari painting (lit. ' a painting from the mountainous regions, pahar meaning a mountain in Hindi ') is an umbrella term used for a form of Indian painting, done mostly in miniature forms, originating from the lower Himalayan hill kingdoms of North India, during the early 17th to mid 19th century, notably Basohli ...
Indian miniature paintings are a class of paintings originating from India. [1] Made on canvases a few inches in length and width, the Indian miniatures are noted for the amount of details that the artist encapsulates within the minute canvas frame; and the characteristic sensitivity with which the human, divine and natural forms are portrayed.
In 2025, the works unbound from copyright cap off the 1920s with literature, characters and more from 1929 entering the public domain.
He is attributed with a small group of paintings in a distinctive style, produced for Raja Savant Singh, and mostly depicting the king and Bani Thani as Krishna and Radha respectively. These are "widely held to be the finest of all Rajasthani miniatures", and are unusually large for their type, reaching 19 by 14 inches (48 x 36 cm). [ 1 ]