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Narmer Palette. The Narmer Palette, also known as the Great Hierakonpolis Palette or the Palette of Narmer, is a significant Egyptian archaeological find, dating from about the 31st century BC, belonging, at least nominally, to the category of cosmetic palettes. It contains some of the earliest hieroglyphic inscriptions ever found.
Laocoön and His Sons a sculpture of the 1st century BC or AD, with a scene from classical mythology Secene of "Rich man giving a rice ball to the monk", from the 12th-century Japanese Shigisan-engi handscroll The two sides of the Narmer Palette. Narrative art is art that tells a story, either as a moment in an ongoing story or as a sequence of ...
The palettes later adopted a rounder shape like the Narmer Palette. [13] King Narmer's palette was the earliest piece of its kind. It has decorations of the King smiting the enemies of Egypt and the unification of Upper and Lower Egypt, as well as a cavity for the grinding of cosmetics, making it a double purposed palette.
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It was a conservative tradition whose ...
[f] Of course, the Narmer Palette could represent an actual historical event while at the same time having a symbolic significance. In 1993, Günter Dreyer discovered a "year label" of Narmer at Abydos, depicting the same event that is depicted on the Narmer Palette. In the First Dynasty, years were identified by the name of the king and an ...
In Egyptian history, the Upper and Lower Egypt period (also known as The Two Lands) was the final stage of prehistoric Egypt and directly preceded the unification of the realm. The conception of Egypt as the Two Lands was an example of the dualism in ancient Egyptian culture and frequently appeared in texts and imagery, including in the titles ...
The Victory Stele of Naram-Sin is a stele that dates to approximately 2254–2218 BC, in the time of the Akkadian Empire, and is now at the Louvre in Paris. The relief measures 200 cm. in height (6' 7") [1] and was carved in pinkish sandstone, [2] with cuneiform writings in Akkadian and Elamite.
The Narmer macehead (right) at time of discovery, Hierakonpolis. On the center part of the macehead, behind the throne with the seated king, there is a figure just like the supposed sandal-bearer from the Narmer palette, likewise with the rosette sign above its head. He is followed by a man carrying a long pole.