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The Velvet Rope is the sixth studio album by American singer Janet Jackson.It was released on October 7, 1997, through Virgin Records.Prior to its release, she renegotiated her contract with Virgin for US$80 million, marking this as the largest recording contract in history at that time.
[21] [22] [23] The album appeared on the Billboard Top Black Albums of 1983, while Jackson herself was the highest-ranking female vocalist on the Billboard Year-End Black Album Artists. [24] Jackson's second album, Dream Street, was released two years later. [9] Dream Street reached No. 147 on the Billboard 200, and No. 19 on the R&B albums chart.
Four to Score is the fourth novel by Janet Evanovich featuring the bounty hunter Stephanie Plum and her friends and family in New Jersey. Written in 1998, it is set mainly in Trenton , but also includes Point Pleasant and Atlantic City .
Created Date: 8/30/2012 4:52:52 PM
Among her works are The Indians in the Woods (1922), and the later collections Poems, 1924–1944 (1950), and Poems Old and New, 1918–1978 (1981). [4] She also collaborated with Alva Henderson, a composer for whom she wrote three libretti and several song texts.
The Proletarian poetry is a genre of political poetry developed in the United States during the 1920s and 1930s that endeavored to portray class-conscious perspectives of the working-class. [64] Connected through their mutual political message that may be either explicitly Marxist or at least socialist , the poems are often aesthetically disparate.
Revolutionary Sonnets and Other Poems is a posthumous collection of the short poetry written by Anthony Burgess.Compiled and edited by Kevin Jackson, who also provided a short introduction to the text, the book purports to collect most if not all of the poems published under the names F. X. Enderby, John Burgess Wilson, or Anthony Burgess, as well as selections from longer verse works by Burgess.
Janet Morley is a British author, poet, and Christian feminist. Her books Celebrating Women (1986, co-edited with Hannah Ward) and All Desires Known (1988) established Morley as a campaigner [ 1 ] [ 2 ] for inclusive 'non-sexist' language in Christian liturgy.