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Concrete art was an art movement with a strong emphasis on geometrical abstraction. The term was first formulated by Theo van Doesburg and was then used by him in 1930 to define the difference between his vision of art and that of other abstract artists of the time.
The concepts “invention” and “trimmed frame” are used to portray the movement of Concrete Art. [1] These terms originated with the issuing of the Arturo magazine, and are perhaps the most original contributions to the Concrete Art movement. Arden Quin discussed about invention in Arturo’s first article.
The Neo-Concrete Movement (1959–1961) was a Brazilian art movement, a group that splintered off from the larger Concrete Art movement prevalent in Latin America and in other parts of the world. The Neo-Concretes emerged from Rio de Janeiro’s Grupo Frente. They rejected the pure rationalist approach of concrete art and embraced more ...
Mixing pigments for the purpose of creating realistic paintings with diverse color gamuts is known to have been practiced at least since Ancient Greece.The identity of a/the set of minimal pigments to mix diverse gamuts has long been the subject of speculation by theorists whose claims have changed over time, for example Pliny's white, black, one or another red, and "sil", which might have ...
Greenberg, art critic Michael Fried, and others have observed that the overall feeling in Pollock's most famous works – his drip paintings – read as vast fields of built-up linear elements often reading as vast complexes of similar valued paint skeins that read as all over fields of color and drawing, and are related to the mural-sized late ...
Arsenic pigments. Realgar: As 4 S 4 - a highly toxic natural pigment. Cadmium pigments. Cadmium red (PR108): cadmium sulfo-selenide (Cd2SSe). Cerium pigments. Cerium sulfide red (PR265). Iron oxide pigments. Sanguine, Caput mortuum, Indian red, Venetian red, oxide red (PR102). Red ochre (PR102): anhydrous Fe 2 O 3.
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See Art periods for a chronological list. This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies, evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in ...
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