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Lidia Yuknavitch (/ ˈ j uː k n ə v ɪ tʃ / YOOK-nə-vitch; [2] born June 18, 1963) [3] [4] is an American writer, teacher and editor based in Oregon.She is the author of the memoir The Chronology of Water, and the novels The Small Backs of Children, Dora: A Headcase, and The Book of Joan.
Mahad Satyagraha or Chavdar Tale Satyagraha was a satyagraha led by B. R. Ambedkar on 20 March 1927 to allow untouchables to use water in a public tank in Mahad (currently in Raigad district), Maharashtra, India. [1] The day (20 March) is observed as Social Empowerment day in India. [1]
Charlotte Linde writes about life stories, which are similar to the personal narrative: "A life story consists of all the stories and associated discourse units, such as explanations and chronicles, and the connections between them, told by an individual during his/her lifetime that satisfy the following two criteria: The stories and associated discourse units contained in the life story have ...
Life writing is an expansive genre that primarily deals with the purposeful recording of personal memories, experiences, opinions, and emotions for different ends. While what actually constitutes life writing has been up for debate throughout history, it has often been defined through the lens of the history of the autobiography genre as well as the concept of the self as it arises in writing.
In literary studies, resistance literature is one subfield in which to study literary output that may be understood as a socio-political activity to resist dominant ideologies. [15] Resistance literature can be used to resist gender-based oppression, or to demonstrate difficulties in liberation struggles or writing in exile.
Traditionally, conflict is a major element of narrative or dramatic structure that creates challenges in a story by adding uncertainty as to whether the goal will be achieved. In works of narrative, conflict is the challenge main characters need to solve to achieve their goals. However, narrative is not limited to a single conflict.
The uniforms, equipment, and faces of our military have changed over the years, but I am as moved today by the bravery of our soldiers as I have always been by studying about the distinguished men ...
Biographer Mellow believes that In Our Time is Hemingway's most experimental book, particularly with its unusual narrative form. [4] The vignettes have no traditional sense of narrative; they begin in the middle. [19] Shifting points-of-view and narrative perspectives disguise autobiographical details. [21] Pound taught Hemingway to write ...