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Later, as the Roman Empire expanded and became the dominant cultural force in the Mediterranean and Near East, Roman artists were heavily influenced by the Greek art they encountered and began installing mosaics in public buildings and private homes throughout the empire. They also added small clay or glass pieces called tesserae, material that ...
Sassanid glass bowls. Sasanian glass continued and developed Roman glass technology. In simpler forms it seems to have been available to a wide range of the population, and was a popular luxury export to Byzantium and China, even appearing in elite burials from the period in Japan. Technically, it is a silica-soda-lime glass production ...
Vassily Kandinsky Vassily Kandinsky, Komposition V, 1911. One of the main challenges of creating a reverse glass painting is how layers are applied when painting. [6] An illustration of this type is usually painted on the opposite side of the glass (the one not presented to the audience), following an opposite succession of layers of paint, applying the front most layer first and the ...
Safavid art is the art of the Iranian Safavid dynasty from 1501 to 1722, encompassing Iran and parts of the Caucasus and Central Asia. It was a high point for Persian miniatures , architecture and also included ceramics, metal, glass, and gardens.
Augustan and Julio-Claudian art is the artistic production that took place in the Roman Empire under the reign of Augustus and the Julio-Claudian dynasty, lasting from 44 BC to 69 AD. At that time Roman art developed towards a serene " neoclassicism ", which reflected the political aims of Augustus and the Pax Romana , aimed at building a solid ...
Parthian art was Iranian art made during the Parthian Empire from 247 BC to 224 AD, based in the Near East. It has a mixture of Persian and Hellenistic influences. For some time after the period of the Parthian Empire, art in its styles continued for some time. A typical feature of Parthian art is the frontality of the people shown.
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