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Gustav Klimt (14 July 1862 – 6 February 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art.
The man in the original sketch has been replaced by the skull figure in the final painting. There is scant documentation of Klimt's personal life, but much is known about his artistic career. Gustav Klimt was born in Austria in 1862 and at the age of fourteen received a grant to study at the Kunstgewerbeschule (The Vienna
Death and Life (German: Tod und Leben, Italian: Morte e Vita) is an oil-on-canvas painting by Austrian painter Gustav Klimt. The painting was started in 1908 and completed in 1915. [1] It depicts an allegorical subject in an Art Nouveau (Modern) style. The painting measures 178 by 198 centimeters and is now housed at the Leopold Museum, in Vienna.
[8] [9] In 1891, Helene, one of Emilie's two older sisters, married Ernst Klimt, the brother of Gustav Klimt. When Ernst died in December 1892, Gustav was made Helene's guardian. At that time Emilie was eighteen years old and Gustav became a frequent guest at the home of her parents, spending the summers with the Flöge family at Lake Attersee. [1]
Tree of Life detail from the Stoclet Frieze. The Stoclet Frieze is a series of three mosaics created by the Austrian painter Gustav Klimt for a 1905–1911 commission for the Stoclet Palace in Brussels, Belgium. The panels depict swirling Tree of life, a standing female figure and an embracing couple.
[1] [4] Klimt may have introduced her to Altenberg, who was part of his inner circle of friends and admirers. [4] After Klimt died in February 1918, Altenberg inscribed a eulogy on a drawing that Klimt had made of Staude, and later wrote that she was a "modern saint" for helping to care for him during his last year of life. [4] [1]
The painting is a study for a series of three mosaics created by Klimt for a 1905-1911 commissioned work at the Stoclet Palace in Brussels, Belgium. The mosaics were created in the artist's Late Works period and depict swirling Trees of Life, a standing female figure, and an embracing couple. The mosaics are spread across three walls of the ...
Adele Bloch-Bauer was the wife of Ferdinand Bloch-Bauer, [a] a wealthy industrialist who sponsored the arts and supported Gustav Klimt. Adele Bloch-Bauer was the only person whose portrait was painted twice by Klimt; she also appeared in the much more famous Portrait of Adele Bloch-Bauer I. Adele's portraits had hung in the family home prior to ...