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Computer art has allowed for an even greater and more profuse expression of psychedelic vision. Fractal generating software gives an accurate depiction of psychedelic hallucinatory patterns, but even more importantly 2D and 3D graphics software allow for unparalleled freedom of image manipulation. Much of the graphics software seems to permit a ...
The smoking clover, a computer-generated image of psychedelic artwork. The term was first coined as a noun in 1956 by psychiatrist Humphry Osmond as an alternative descriptor for hallucinogenic drugs in the context of psychedelic psychotherapy. [4]
Cyberdelic (from "cyber-" and "psychedelic") was the fusion of cyberculture and the psychedelic subculture that formed a new counterculture in the 1980s and 1990s. Cyberdelic art was created by calculating fractal objects and representing the results as still images, animations, underground , algorithmic music , or other media.
Adding to its dual engagement with musical and visual art forms, vaporwave embraces the Internet as a cultural, social, and aesthetic medium. [40] The visual aesthetic (often stylized as " AESTHETICS ", with fullwidth characters) [ 20 ] incorporates early Internet imagery, late 1990s web design, glitch art , and cyberpunk tropes, [ 12 ] as well ...
The psychedelic era was the time of social, musical and artistic change influenced by psychedelic drugs, occurring from the mid-1960s [1] to the mid-1970s. [2] The era was defined by the proliferation of LSD and its following influence in the development of psychedelic music and psychedelic film in the Western world .
Philosophy of psychedelics is the philosophical investigation of the psychedelic experience.While psychedelic, entheogenic or hallucinogenic substances have been used by many traditional cultures throughout history mostly for religious purposes, recorded philosophical speculation and analysis of these substances, their phenomenological effects and the relevance of these altered states of ...
Relativity is a lithograph print by the Dutch artist M. C. Escher, first printed in December 1953.The first version of this work was a woodcut made earlier that same year. [1]
Psychedelic experiences feature alterations in normal perception such as visual distortions and a subjective loss of self-identity, sometimes interpreted as mystical experiences. Psychedelic experiences lack predictability, as they can range from being highly pleasurable (known as a good trip) to frightening (known as a bad trip).