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It is a movement technique that is capable of evoking dramatic and thought-provoking content just as well as more codified western dance techniques such as ballet and non-western movement forms. Dance improvisation is not only about creating new movement but is also defined as freeing the body from habitual movement patterns (see Postmodern ...
Modern dance is a broad genre of western concert or theatrical dance which includes dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th centuries.
Dance improvisation as a choreographic tool: Improvisation is used as a choreographic tool in dance composition. Experimenting with the concepts of shape, space, time, and energy while moving without inhibition or cognitive thinking can create unique and innovative movement designs, spatial configuration, dynamics, and unpredictable rhythms.
Free improvisation primarily descends from the Indeterminacy movement and free jazz. Guitarist Derek Bailey contends that free improvisation must have been the earliest musical style, because "mankind's first musical performance couldn't have been anything other than a free improvisation."
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Free jazz, or free form in the early to mid-1970s, [1] is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes.
The Gaga movement language was created by Ohad Naharin, former Martha Graham dancer and artistic director of the Batsheva Dance Company (1990-2018), and has been further developed in relation to Naharin's research in dance and choreography. Naharin created Gaga as a reaction to a back injury he was experiencing.
The Martha Graham Dance Company in performance. The central woman's pose shows the characteristic tension and theatricality of Graham technique. Graham technique is a modern dance movement style and pedagogy created by American dancer and choreographer Martha Graham (1894–1991). [1]