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Roy Boulting and Hayley Mills began a relationship during the shoot despite a 33-year age difference; they married in 1971. [29] [34] Roy wrote and directed Twisted Nerve (1968), a thriller starring Mills and Hywel Bennett. The brothers had a massive hit with There's a Girl in My Soup (1970) starring Sellers and Goldie Hawn.
Seagulls Over Sorrento is a 1954 British war drama film made by the Boulting brothers based on the play of the same name by Hugh Hastings. The film stars Gene Kelly and was one of three made by Kelly in Europe over an 18-month period to make use of frozen MGM funds. The cast features John Justin, Bernard Lee and Jeff Richards.
He says the Boulting Brothers and Launder and Gilliat, then on the Board of British Lion "were adamant that drastic changes had to be made. They insisted that the director be replaced together with the leading lady and that the Boultings take over the rescripting and reshooting with Hayley Mills, then Roy Boulting’s wife, recast as the female ...
Brothers in Law is a 1957 British comedy film directed by Roy Boulting and starring Richard Attenborough, Ian Carmichael, Terry-Thomas and Jill Adams. [1] The film is one of the Boulting brothers successful series of institutional satires that begun with Private's Progress in 1956. [ 2 ]
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The Family Way is a 1966 British drama film produced and directed by John and Roy Boulting, respectively, and starring father and daughter John Mills and Hayley Mills. [3] Based on Bill Naughton's play All in Good Time (1963), [4] with screenplay by Naughton, the film began life in 1961 as the television play Honeymoon Postponed. [5]
Cotes was born as Sydney Boulting [2] in Maidenhead, Berkshire. [3] His brothers John and Roy Boulting became noted film makers. [2] He began as an actor, before concentrating on theatre production. [4] He was the original director of the world's longest-running production The Mousetrap, still playing at the St Martins Theatre, London. [5]
The Monthly Film Bulletin wrote: "For once, the familiar Boulting Brothers' formula of uninhibited contemporary satire has placed itself in an extremely invidious position. Jokes about colonial administration, U.N. efforts to quell local revolutions, and American and Russian spheres of influence, have uncomfortable topical parallels; even if ...