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Elizabeth Cochrane Seaman (born Elizabeth Jane Cochran; May 5, 1864 – January 27, 1922), better known by her pen name Nellie Bly, was an American journalist who was widely known for her record-breaking trip around the world in 72 days in emulation of Jules Verne's fictional character Phileas Fogg, and for an exposé in which she worked undercover to report on a mental institution from within ...
Elizabeth Bisland Wetmore (February 11, 1861 – January 6, 1929) was an American journalist and author, perhaps now best known for her 1889–1890 race around the world against Nellie Bly, which drew worldwide attention. The majority of her writings were literary works.
Seaman's business prospered during his lifetime and for a number of years after his death under his wife's management. At the 1901 Pan-American Exposition, Iron Clad factories were promoted as being, "Owned exclusively by Nellie Bly – the only woman in the world personally managing industries of such a magnitude."
The epilogue reveals that Nellie's work led to sweeping mental health reform, including the closing of the Women's Lunatic Asylum. Nellie continued to work as a journalist until her death in 1922. In 1998, Nellie was inducted into the National Women's Hall of Fame under her actual name, Elizabeth Jane Cochrane, as "Nellie Bly" is a pen name. [2]
The portrait of Nellie Bly as a young woman is cast in silver bronze. The other faces, cast in bronze and portrayed in broken sections, include an Asian-American woman, an African-American woman, a young girl, and an older LGBTQ woman. These women are not specific people from Bly's life, but are inspired by women in the artist's life. [10]
Bly returned to the United States after her reporting on the imprisonment of a journalist by dictator Porfirio Díaz put her in danger of imprisonment herself. Bly later wrote a second travel book, Around the World in 72 Days , telling the story of her circumnavigation of the globe by ship and train.
Nellie Bly (1887). Ten Days in a Mad-House. New York: Norman L. Munro. Published with "Miscellaneous Sketches: Trying to be a Servant", and "Nellie Bly as a White Slave". Ten Days in a Mad-House at Project Gutenberg; Audio book at Project Gutenberg; Ten Days in a Madhouse public domain audiobook at LibriVox; Ten Days in a Mad-House at IMDb
The film closely follows Bly's original account, and extracts much of the dialogue from Bly's 1880s exposé. [6]In an interview on Los Angeles talk radio, Caroline Barry described Christopher Lambert bringing authenticity to the part of the antagonist Dr. Dent by portraying his motives as misguided good intent rather than evil, adding to the realism of the film.