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Heidegger believed that Dasein already has a "pre-ontological" and concrete understanding that shapes how it lives, which he analyzed in terms of the unitary structure of "being-in-the-world". Heidegger used this analysis to approach the question of the meaning of being; that is, the question of how entities appear as the specific entities they ...
Being and Time (German: Sein und Zeit) is the 1927 magnum opus of German philosopher Martin Heidegger and a key document of existentialism. Being and Time had a notable impact on subsequent philosophy, literary theory and many other fields.
The question concerning technology is asked, as Heidegger notes, “so as to prepare a free relationship to it.” [2] The relationship will be free “if it opens our human existence to the essence of technology.” [2] This is because “[o]nly the true brings us into a free relationship with that which concerns us from out of its essence.” [3] Thus, questioning uncovers the questioned in ...
In German, Dasein is the vernacular term for "existence". It is derived from da-sein, which literally means "being-there" or "there-being". [3] In a philosophical context, it was first used by Leibniz and Wolff in the 17th century, as well as by Kant and Hegel in the 18th and 19th; however, Heidegger's later association of the word with human existence was uncommon and not of special ...
Central to Heidegger's philosophy is the difference between being as such and specific entities. [51] [52] He calls this the "ontological difference", and accuses the Western tradition in philosophy of being forgetful of this distinction, which has led to misunderstanding "being as such" as a distinct entity. [51] [53] [54] (See reification)
Sidonie Kellerer believes that Heidegger published the text to show his “inner resistance” after the mid-1930s against the Nazi regime and as evidence for his early refusal of National Socialism and his rejection of a modern ideology that resulted in the totalitarian system. Emphasizing the differences between the published text and the ...
"The Origin of the Work of Art" (German: Der Ursprung des Kunstwerkes) is an essay by the German philosopher Martin Heidegger. Heidegger drafted the text between 1935 and 1937, reworking it for publication in 1950 and again in 1960.
Introduction to Metaphysics (German: Einführung in die Metaphysik) is a revised and edited 1935 lecture course by Martin Heidegger first published in 1953. The work is notable for a discussion of the Presocratics and for illustrating Heidegger's supposed "Kehre," or turn in thought beginning in the 1930s—as well as for its mention of the "inner greatness" of Nazism.