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The "Bridal Chorus" (German: "Treulich geführt") from the 1850 opera Lohengrin by German composer Richard Wagner, who also wrote the libretto, is a march played for the bride's entrance at many formal weddings throughout the Western world.
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It is frequently teamed with the "Bridal Chorus" from Richard Wagner's opera Lohengrin, [1] or with Jeremiah Clarke's "Prince of Denmark's March", [2] both of which are often played for the entry of the bride.
The overtures and certain orchestral passages from Wagner's middle- and late-stage operas are commonly played as concert pieces. For most of these, Wagner wrote or rewrote short passages to ensure musical coherence. The "Bridal Chorus" from Lohengrin is frequently played as the bride's processional wedding march in English-speaking countries. [195]
The exiting of the bridal party is also called the wedding recessional. At the end of the service, in Western traditions, the bride and groom march back up the aisle to a lively recessional tune, a popular one being Felix Mendelssohn 's Wedding March from A Midsummer Night's Dream (1842). [ 6 ]
In 1983 the Wagner scholar John Deathridge, in an article in The Musical Times, outlined the need for a reliable catalogue. [12] Two years later, in conjunction with Martin Gech and Egon Voss, he produced Wagner-Werk-Verzeichnis, described by fellow-scholar Michael Saffle as "perhaps the single finest and most useful of all Wagner reference works."
Siegfried (German: [ˈziːk.fʀiːt] ⓘ), WWV 86C, is the third of the four epic music dramas that constitute Richard Wagner's cycle Der Ring des Nibelungen (English: The Ring of the Nibelung).
In Richard Wagner's Lohengrin, the "Bridal Chorus" (Treulich Geführt) of Act 3 is also called "Epithalamium" in several program notes: concert in London, 26 March 1855; concert in Paris, 25 January 1860; concert in Brussels, 24 March 1860. [citation needed]