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In writing this poem, Frost was inspired by his childhood experience with swinging on birches, which was a popular game for children in rural areas of New England during the time. Frost's own children were avid "birch swingers", as demonstrated by a selection from his daughter Lesley's journal: "On the way home, i climbed up a high birch and ...
Clay identifies a number of classical works which may allude to the midnight poem, including Aristophanes' play Ecclesiazusae and the fifteenth of Ovid's Heroides. [35] The midnight poem is one of the most-frequently adapted of the poems attributed to Sappho – according to Clay, only fragment 31 has been more often translated. [36]
The poem is also connected to the 1918–1919 flu pandemic. In the weeks preceding Yeats′s writing of the poem, his pregnant wife, Georgie Hyde-Lees, caught the virus and was very close to death, but she survived. The highest death rates of the pandemic were among pregnant women, who in some areas had a death rate of up to 70%.
Sonnet 127 of Shakespeare's sonnets (1609) is the first of the Dark Lady sequence (sonnets 127–152), called so because the poems make it clear that the speaker's mistress has black hair and eyes and dark skin. [2] In this poem the speaker finds himself attracted to a woman who is not beautiful in the conventional sense, and explains it by ...
It was one of twelve poems in the first edition of Leaves of Grass. [4] Whitman revised the poem heavily; by the last edition of Leaves of Grass, the poem was changed from its original form to an extent that was unmatched by any other of Whitman's poems. [4] The poem was untitled before 1855, taking the name "I wander all night" from the first ...
The Face upon the Barroom Floor", aka "The Face on the Floor" and "The Face on the Barroom Floor", is a poem originally written by the poet John Henry Titus in 1872. A later version was adapted from the Titus poem by Hugh Antoine d'Arcy in 1887 and first published in the New York Dispatch .
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The poem is in blank verse and mainly uses iambic pentameter. [2] [3] The poem was inspired by Andrea del Sarto, originally named Andrea d'Agnolo, [4] a renaissance artist. The historical del Sarto was born in Florence, Italy on July 16, 1486 and died in Florence, Italy on September 29, 1530. [4] Del Sarto was the pupil of Piero di Cosimo.