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"Per la ricuperata salute di Ofelia" for voice and piano: joint composition by Salieri, Mozart and Cornetti (1785) "Requiem" by Niccolò Jommelli : additional instrumentation of two oboes, two bassoons and two trombones (for Christoph Willibald Gluck 's solemn requiem on April 8, 1788)
Best Classical Performance, Instrumental Soloist(s) (Without Orchestra) Maurizio Pollini Beethoven: The Late Piano Sonatas (Album) Nominated 1980: Boulez: Sonata For Piano No. 2 (Album) Nominated Best Classical Performance - Instrumental Soloist Or Soloists (With Orchestra) Bartók: Piano Cons. Nos. 1 & 2 Won Album of the Year: Giorgio Moroder
First, there was a rejection of overly complicated polyphony of many different melodies running at the same time: second, a general, new musical aesthetic of the period, best summed up in the words of Leonardo da Vinci in 1500, who said that music was "the simultaneous conjunction of proportional parts"—that is, the sounding together of notes ...
According to a 1969 report from SEDRIM (from Società per l'Esercizio dei Diritti di Riproduzione Meccanica), then Italian mechanical rights society, Italy was a singles-market with songs accounting 85.8 percent of total record sales in the country. A "top hit" single in Italy at that time was grouped between 500,000 and 700,000 copies. [1]
Mina and Adriano Celentano are the best-selling artists in Italy. This is the chart of Italian music artists listed by estimated sales according to the most important Italian newspapers, national television channels and music magazines. As the compilation of official data of sale of records in Italy it began to have departed only since 1995, thanks to the Federazione Industria Musicale ...
With a total of 29 songs, Sfera Ebbasta holds the record for the most number-ones songs during the FIMI era and also hold most by Male and Italian. Madonna holds the record for a female artist, with 12. All acts are listed alphabetically. Solo artists are alphabetized by last name, Groups by group name excluding "A", "An", and "The".
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Giovanni Allevi has written some non-piano works, in addition to his piano compositions, which are mostly unpublished. The most important are: Inno delle Marche (Hymn of the Marche region) - Orchestral work for the Marche Italian region, commissioned in occasion of a youths meeting promoted by the Italian Church in Loreto (2007). [1]