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Figures in a Landscape, subtitled: People and Places; Essays: 2001-2016, is a collection of thirty essays, profiles, articles and book introductions all by Paul Theroux. [1] The thirty pieces cover a wide variety of topics including authors, artists, celebrities, Africa, travel experiences, reading and the craft of writing.
She has also authored two picture books for children, Giants in the Land (1993) and Cocoa Ice (1997). [8] Reflections in Bullough's Pond. According to the Daily News Tribune, "Muir's 2000 book Reflections in Bullough's Pond reads more like a novel than a history book. In the book, Muir shows the historical relationship between New England's ...
Landscape of Ghosts, 1993; The Heart Can Be Filled Anywhere on Earth, 1996 ISBN 978-1-57131-209-9; Playing Haydn for the Angel of Death, 1997; Faces of Christmas Past, 1998; Eccentric Islands, 2000 ISBN 1-57131-245-5; Playing the Black Piano, 2004 ISBN 1-57131-417-2; Windows of Brimnes: An American in Iceland, 2007 ISBN 1-57131-302-8
Luminism is a style of American landscape painting of the 1850s to 1870s, characterized by effects of light in a landscape, through the use of aerial perspective and the concealing of visible brushstrokes. Luminist landscapes emphasize tranquility, often depicting calm, reflective water and a soft, hazy sky.
The line, "sermoni propiori", is from Horace's Satires 1.4.42 and is intended to describe the work as a whole as connecting to prose. The second stanza, where the narrator describes Dial Hill as the "stony Mount", is connected to William Crowe's Lewesdon Hill (1788). It is possible that Reflections could have been an imitation of Crowe's poetry ...
John Brinckerhoff "Brinck" [1] Jackson (September 25, 1909 – August 29, 1996) was a writer, publisher, instructor, and sketch artist in landscape design. Herbert Muschamp , architecture critic of the New York Times , stated that J. B. Jackson was "America's greatest living writer on the forces that have shaped the land this nation occupies."
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[1] The Making of the English Landscape is a 1954 book by the English local historian William George Hoskins. The book is also the introductory volume in a series of the same name which deals with the English Landscape county by county. It is illustrated with 82 monochrome plates, mostly photographs by Hoskins himself, and 17 maps or plans.
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