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This opens with a late-night TV commercial by car salesman Ralph Spoilsport (Philip Proctor), a spoof of Southern California Ford dealer Ralph Williams.As he extols the virtues of a featured new car, the main character Babe (Peter Bergman), runs across traffic onto the lot and interrupts Ralph's spiel with an immediate desire to buy the car in question.
I used the speed control on my 'Tron to create the swoops, and we would take advantage of the stereo effects to make the Mellotron sound and the movement come from one side to the other side, i.e., left-right, and right-left. And I would use the reverb to make it come forward and back in the track as well.
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
A Working Man Can't Get Nowhere Today is a studio album by American country music singer Merle Haggard and the Strangers, released in 1977.Even though Haggard had moved to the MCA label, Capitol created this release from tracks previously recorded in 1975 and 1976.
"A Thousand Miles" is a piano-driven pop song supported by a string orchestral arrangement. Carlton says that the song was inspired by a crush she had on a Juilliard student (who is now a "very famous actor") whom she met while she was attending the School of American Ballet.
Upon seeing this raw release of emotion, Bono shouted, "Oh you look so beautiful tonight"; later, the band integrated the line into the chorus. [6] [8] The fans' passion, along with the resolve of the city following the attack, were the primary inspirations for many of the song's other lyrics. [5]
"Nowhere to Run, Nowhere to Hide" is a song written and performed by American hardcore hip-hop four-piece supergroup Gravediggaz. It was released on September 6, 1994 via Gee Street Records as the second single from the group's debut full-length studio album 6 Feet Deep .
"Everywhere" has been widely acclaimed by music critics. In The Guardian, Alexis Petridis dubbed it "peerless" and "bulletproof pop songwriting." [8] Ivy Nelson from Pitchfork called "Everywhere" the best song on Tango in the Night, writing that the tune "responds with warmth, empathy, and buoyancy, describing a kind of devotion so deeply felt that it produces weightlessness in a person."