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The Violin Concerto in D major, Op. 61, was written by Ludwig van Beethoven in 1806. Its first performance by Franz Clement was unsuccessful and for some decades the work languished in obscurity, until revived in 1844 by the then 12-year-old violinist Joseph Joachim with the orchestra of the London Philharmonic Society conducted by Felix Mendelssohn.
This movement, Larghetto, is in the dominant key of A major and is one of Beethoven's longest symphonic slow movements. There are clear indications of the influence of folk music and the pastoral, presaging his Symphony No. 6 ("Pastoral"). The movement, like the first, is in sonata form.
English: w:Beethoven, Ludwig van (1800-1802) "Symphony No. 2, D major, Op. 36", 2nd movement - Larghetto (A major). Performed by the Tsumugi Orchestra conducted by Takashi Inoue on 19 Sep 2011 at the Fukuoka City West Public Hall.
Title page of Beethoven's symphonies from the Gesamtausgabe. The list of compositions of Ludwig van Beethoven consists of 722 works [1] written over forty-five years, from his earliest work in 1782 (variations for piano on a march by Ernst Christoph Dressler) when he was only eleven years old and still in Bonn, until his last work just before his death in Vienna in 1827.
Beethoven uses Mozart's favourite rondo form for this movement (ABACBA). The absence of the A theme in between the C and second B is a surprise and adds interest by reducing the repetition of the A theme. Intro, F minor (bars 1–9) (Larghetto expressivo)
Like Mozart's, Beethoven's musical talent was recognized at a young age, [3] and these three piano sonatas give an early glimpse of the composer's abilities, as well as his boldness. Beethoven was writing in a form usually attempted by older, more mature composers, [ 4 ] as the sonata was a cornerstone of Classical piano literature.
The second movement, Larghetto, in E ♭ major—the relative major of C minor—features a strikingly simple principal theme. The final movement, Allegretto, is a theme and eight variations in C minor. The work is one of Mozart's most advanced compositions in the concerto genre. Its early admirers included Ludwig van Beethoven and Johannes Brahms.
In most of Beethoven's four-movement sonatas, the third movement is in 3 4 and in ternary form, while the second movement is slow and in a different key from the other movements. In this sonata, the second and third movements have switched roles, where the second movement is the ternary scherzo and trio, while the third movement is the slow ...
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