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The Museo de la Música Puertorriqueña (English: Museum of Puerto Rican Music) is a museum in Ponce, Puerto Rico, that showcases the development of Puerto Rican music, with displays of Taíno, Spanish, and African musical instruments that were played in the romantic danza genre, the favorite music of 19th-century Puerto Rican high society, as well as the more African-inspired bomba and plena ...
El Puerto de Liverpool (officially S.A.B. de Liverpool, S.A.B. de C.V.) is a Mexican company that consists of commercial, financial, and real estate operations.The commercial area operates the department store chains Liverpool and Suburbia, freestanding retail stores of multiple fashion brands, and the Arco Norte logistics center, under construction.
In August of the same year their song Pasión (Passion), from the El canto del loco album, was included on the soundtrack of the film La fiesta (The Party), directed by Carlos Villaverde and Manu Sanabria, which is famous for being one of the cheapest Spanish films ever made (on a budget of 6,000 euros). [15]
In 1994, Almacenes SIMÁN opens a fourth branch in San Miguel, the third largest city of El Salvador. [8] On December 7, 1994, officially inaugurated the branch Galerias, located in the Centro Comercial Galerias shopping center, where La Casona is located. (corporate offices were located in this shopping center).
The album was deleted in most territories after the compilation CD ABBA Oro: Grandes Exitos, which contained the ten tracks of Gracias Por La Música, was released in 1992, rendering this album obsolete. However, the original version of the album continued to be available in Japan and Argentina until the late 1990s.
Northern El Salvador is composed of the departments of Chalatenango, Cabañas, Morazán and the northern parts of Santa Ana (e.g., Metapán), San Miguel (e.g., Cd. Barrios) and La Unión (e.g., Nueva Esparta) as well as the town of Suchitoto in the department of Cuscatlán.
Carlos Alberto Vives Restrepo (born 7 August 1961) is a Colombian singer, songwriter and actor. He is known for his interpretation of traditional music styles of Colombia such as vallenato, cumbia, champeta, bambuco and porro as well as genres such as Latin pop, rock, reggaeton, dance-pop and tropical music.
According to Odilio Urfé, cha-cha-chá was a musical genre that was based on the rhythm of danzón-mambo but with a different structural conception. It utilized elements of chotis madrileño and a monodic vocal style. After "La Engañadora", Urfé's original structure was greatly modified by Jorrín and other composers. [4]