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When discussing portraiture in ancient Egypt it is important to differentiate between the modern concept of portraiture and its ancient Egyptian counterpart. In Western art, portraiture captures the exact physical resemblance of a person as well as his/her inner qualities. Ancient Egyptian art had religious roots and functions, and therefore ...
In contrast, mummification appears to have been practised by large parts of the population. The mummy mask, originally an Egyptian concept, grew more and more Graeco-Roman in style, Egyptian motifs became ever rarer. The adoption of Roman portrait painting into Egyptian burial cult belongs in this general context. [33]
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It was a conservative tradition whose ...
The sculpture of the Seated Scribe or Squatting Scribe is a famous work of ancient Egyptian art.It represents a figure of a seated scribe at work. The sculpture was discovered at Saqqara, north of the alley of sphinxes leading to the Serapeum of Saqqara, in 1850, and dated to the period of the Old Kingdom, from either the 5th Dynasty, c. 2450–2325 BCE or the 4th Dynasty, 2620–2500 BCE.
While the obverse has the Stonemason, the reverse tells an entirely different story. A register of hieroglyphs is across the bottom of the ostracon, below a drawing of the snake, Meretseger; apparently, the ostracon was once larger, because a seated person (only the knees visible), but outstretched arms (hands) in adoration, are before the snake goddess Meretseger.
Sobek-Horus persisted as a figure in the New Kingdom (1550–1069 BCE), but it was not until the last dynasties of Egypt that Sobek-Ra gained prominence. This understanding of the god was maintained after the fall of Egypt's last native dynasty in Ptolemaic and Roman Egypt (c. 332 BCE – 390 CE). The prestige of both Sobek and Sobek-Ra endured ...
Egyptian Museum, Berlin. Bek or Bak (Egyptian for "Servant") was the first chief royal sculptor during the reign of Pharaoh Akhenaten. His father Men held the same position under Akhenaten's father Amenhotep III; his mother Roi was a woman from Heliopolis. [1] Bek grew up in Heliopolis, an important cult centre of the sun god Ra.
Artist's Sketch of Pharaoh Spearing a Lion is an ostracon drawing from the Twentieth Dynasty of Egypt (ca. 1186–1070 B.C., part of the Ramesside period). It is in the collection of the Metropolitan Museum of Art. [1]