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One of the earliest list of woodcuts by Dürer was assembled in 1808 by Adam Bartsch in his "Le Peintre Graveur" volume 7 [1] and in the appendix. In 1862 Johann David Passavant expanded "Le Peintre Graveur" [2] adding additional woodcuts. Bartsch and Passavant works, which were organized alphabetically, are the source of "B." and "P." numbers ...
woodcut 1927 5 5/16” x 3 11/16” W: Lindy: woodcut 1927 7” x 5” W: Livery Stable (aka Old Livery Stable, The Star Livery) woodcut 1925 4” x 6” B W: Lone Elm: woodcut 1925 4” x 3 ½” B W: Lonely Farmhouse: woodcut 1934 8” x 8” B: Lonely Tree: woodcut c. 1925 2 ½” x 3” W: Lost Hope: woodcut 1927 9” x 7” W M (McCormick ...
Scherer became seriously ill in autumn 1926 and died in Basel 13 May 1927. The artist was commemorated that year by an exhibition at the Kunsthalle Basel, which displayed over 200 of his works. The Dreiländermuseum in Lörrach holds 118 of Scherer’s works, including many woodcuts and the "Portrait of Otto Staiger". [4]
Hans Weiditz the Younger, Hans Weiditz der Jüngere, Hans Weiditz II (1495 Freiburg im Breisgau [1] – c. 1537 Bern), [2] was a German Renaissance artist, also known as The Petrarch Master for his woodcuts illustrating Petrarch's De remediis utriusque fortunae, or Remedies for Both Good and Bad Fortune, or Phisicke Against Fortune. [3]
Heinz Kiwitz (September 4, 1910 – 1938) was a German artist. His woodcuts were in the German Expressionist style. An anti-fascist, he was arrested following the Nazis' seizure of power. He survived imprisonment in Kemna and Börgermoor concentration camps and was released in 1934. He went into exile in 1937, first living in Denmark, then in ...
Gustave Baumann (June 27, 1881 – October 8, 1971) was an American printmaker and painter, and one of the leading figures of the color woodcut revival in America. [1] His works have been shown at the New York Metropolitan Museum of Art, The Cleveland Museum of Art, the National Gallery of Art in Washington DC, and the New Mexico Museum of Art. [2]
22 cm × 33.3 cm (8.7 in × 13.1 in) New World Scene is a woodcut thought to have been made in 1505 by Johann Froschauer , a German artist based in Augsburg, Germany . [ 1 ] The woodcut measures 22 cm by 33.3 cm and a hand-colored copy is in the New York Public Library .
At the end of the war he became a member of the Arbeitsrat für Kunst in Berlin, which was an anti-academic, socialist movement of German artists during the German Revolution of 1918–19. Schmidt-Rottluff’s angular, contrasting style became more colorful and looser in the early 1920s, and by the mid-1920s he began to evolve into flat shapes ...