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The American rock band Death Cab for Cutie has recorded songs for ten studio albums, as well as numerous extended plays.This list comprises the band's recorded catalog, as well as non-album singles, covers, and recorded appearances on other albums.
Death Cab for Cutie, the name deriving from the Vivian Stanshall/Neil Innes song "Death Cab For Cutie", began in 1997 as a solo project by Ben Gibbard when he was a guitarist for the band Pinwheel. He recorded under the name All-Time Quarterback. As Death Cab for Cutie, he released a cassette, You Can Play These Songs with Chords, during the ...
Death Cab for Cutie is an American indie rock group from Bellingham, Washington and was formed in 1997 by Ben Gibbard as a side project from Pinwheel. After releasing a demo tape, he added guitarist Chris Walla , bassist Nick Harmer, and drummer Nathan Good to the band.
Innes's inspiration for the song was the title of a story in an old American pulp fiction crime magazine he came across at a street market. [1] Stanshall's primary contribution was to shape "Death Cab for Cutie" as a parody of Elvis Presley (notably Presley's 1957 hit "(Let Me Be Your) Teddy Bear"), and he sang it as such, with undertones of 1950s doo-wop.
Death Cab for Cutie is kicking off a milestone 2023 with a just-underway winter North American tour and the announcement today (Jan. 31) that it has recorded a complete acoustic version of its ...
It should only contain pages that are Death Cab for Cutie songs or lists of Death Cab for Cutie songs, as well as subcategories containing those things (themselves set categories). Topics about Death Cab for Cutie songs in general should be placed in relevant topic categories .
“Such Great Heights”, a synth-pop track so full of urgency and heart-monitor beeps that it was at one point mooted to be the Grey’s Anatomy theme song, is an early spectacle. So is the ...
Ben Gibbard was at the height of his powers in 2003, delivering the two records his entire output is measured against: Death Cab for Cutie’s fourth album, “Transatlanticism,” and the Postal ...