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This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
With the exception of his contrastingly Cuban-styled composition, "Morning", "Pensativa" is by far Fischer's most frequently recorded work; it has been performed by a wide variety of instrumental groupings, ranging from assorted unaccompanied instruments - including piano, guitar and flute - to string orchestras, big bands, and a large assortment of ensemble sizes in between.
Liederkreis, Op. 39, is a song cycle composed by Robert Schumann.Its poetry is taken from Joseph von Eichendorff's collection entitled Intermezzo.Schumann wrote two cycles of this name – the other being his Opus 24, to texts by Heinrich Heine – so this work is also known as the Eichendorff Liederkreis.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
I had a song, "Time for Me to Fly" on the You Can Tune a Piano but You Can't Tune a Fish album. One of our producers turned that down for 1976 R.E.O. album. It ended up a couple of years later on Tuna a.. He told me it was a crummy song; it only had three chords; it was too slow. It wasn't an REO Speedwagon song. I started thinking "I like this ...
" Abendlied unterm gestirntem Himmel" (Evening song under the starry heaven), WoO 150, is a song for high voice and piano by Ludwig van Beethoven composed in 1820. The work is a setting of a poem believed to be by Otto Heinrich von Loeben , who wrote it under the pseudonym H. Goeble.
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).
The Well-Tuned Piano: La Monte Young: 5-6 hours Premiered and recorded by the composer. [14] The History of Photography in Sound: Michael Finnissy: 5½ hours 365 (edition) [15] [16] A3 Premiered and recorded by Ian Pace. [15] [17] Performed by Mark Knoop. [18] Piano Symphony No. 6 (Symphonia claviensis) Kaikhosru Shapurji Sorabji 4¾ hours
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