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This category contains articles about novels which use a second-person narrative structure; a mode of storytelling in which the audience is made a character. This is done with the use of second person pronouns like you .
Second person can refer to the following: A grammatical person (you, your and yours in the English language) Second-person narrative, a perspective in storytelling; Second Person (band), a trip-hop band from London; God the Son, the Second Person of the Christian Trinity
Pages in category "Second-person narrative fiction" The following 2 pages are in this category, out of 2 total. ... Mobile view; Search. Search. Category: Second ...
The links I provided above are to literary criticism of Wittig, not copies of the books in question. English language litcrit of French pronoun choices: one coinage describes on as "monomorphous diversity". Blog lists of novels making extensive use of the second person are Atwood to Tolstoy, The Power of You, and Good Readds Second Person.
In narratology, focalisation is the perspective through which a narrative is presented, as opposed to an omniscient narrator. [1] Coined by French narrative theorist Gérard Genette, his definition distinguishes between internal focalisation (first-person) and external focalisation (third-person, fixed on the actions of and environments around a character), with zero focalisation representing ...
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events.
Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]