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Kitchen sink realism (or kitchen sink drama) is a British cultural movement that developed in the late 1950s and early 1960s in theatre, art, [1] novels, film and television plays, whose protagonists usually could be described as "angry young men" who were disillusioned with modern society.
A Kind of Loving is a 1962 British kitchen sink [5] drama film directed by John Schlesinger, starring Alan Bates and June Ritchie. [6] It was written by Keith Waterhouse and Willis Hall based on the 1960 novel of the same name by Stan Barstow which was later adapted into the 1982 television series A Kind of Loving. [7]
Sancar Seckiner's new book DZ Uzerine Notlar, published in December 2014, is re-focusing Kitchen Sink Realism which was important in the late 1950s and early 1960s. The article Long Distance Runner in the book highlights main film directors who create British New Wave. ISBN 978-605-4579-83-9
The film is one of a series of "kitchen sink drama" films made in the late 1950s and early 1960s, as part of the British New Wave of filmmaking, from directors such as Reisz, Jack Clayton, Lindsay Anderson, John Schlesinger, and Tony Richardson, and adapted from the works of writers such as Sillitoe, John Braine, and John Osborne.
The Entertainer is a 1960 British kitchen sink drama film directed by Tony Richardson, produced by Harry Saltzman and adapted by John Osborne and Nigel Kneale from Osborne's stage play of the same name. [7]
Delaney wrote the screenplay with Richardson, who had directed the original Broadway production of the play in 1960. As with the play, the film is an exemplar of a social realist genre of British media known as kitchen sink realism.
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This Sporting Life is a 1963 British kitchen sink drama film directed by Lindsay Anderson.Based on the 1960 novel of the same name by David Storey, which won the 1960 Macmillan Fiction Award, it recounts the story of a rugby league footballer in Wakefield, a mining city in Yorkshire, whose romantic life is not as successful as his sporting life.