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The Magnificat (Latin for "[My soul] magnifies [the Lord]") is a canticle, also known as the Song of Mary or Canticle of Mary, and in the Eastern Orthodox Church as the Ode of the Theotokos (Greek: Ἡ ᾨδὴ τῆς Θεοτόκου).
These liturgies include the Magnificat hymn, which is one of the eight most ancient Christian hymns—perhaps the earliest, according to historian Marjorie Reeves. It is named after its first word in the 4th-century Vulgate Bible, based on Luke 1:46–55 , and is widely used by Roman Catholics, Anglicans, and the Eastern Orthodox.
Vivaldi structured the Magnificat, RV 610, in nine movements, eight for the text of the canticle (Luke 1:46-55) and the conclusion for the doxology.Set in G minor, it is scored for two soprano soloists, alto and tenor soloists, SATB choir, two oboes, violin I and II, viola, and basso continuo, such as cello and a keyboard instrument.
Timothy Dudley-Smith wrote the hymn in May 1961 when he and his wife had just moved into their first house in Blackheath.He was inspired to write the text when he was reading a modern paraphrase of the Magnificat in Luke 1:46–55 in the New English Bible, a translation which begins with the phrase, "Tell out, my soul, the greatness of the Lord".
In 1724 Johann Sebastian Bach composed the church cantata Meine Seel erhebt den Herren, BWV 10, [a] as part of his second cantata cycle.Taken from Martin Luther's German translation of the Magnificat canticle ("Meine Seele erhebt den Herren"), the title translates as "My soul magnifies the Lord".
The text of Torri's Magnificat is the Latin version of the Biblical canticle "My soul doth magnify the Lord" from the first chapter of the Gospel of Luke (10 verses), followed by the Minor Doxology Gloria Patri.
The Magnificat by John Rutter is a musical setting of the biblical canticle Magnificat, completed in 1990.The extended composition in seven movements "for soprano or mezzo-soprano solo, mixed choir, and orchestra (or chamber ensemble)" [1] is based on the Latin text, interspersed with "Of a Rose, a lovely Rose", an anonymous English poem on Marian themes, the beginning of the Sanctus and a ...
The tonus peregrinus is an exceptional psalm tone in Gregorian chant: there it was most clearly associated with Psalm 113, traditionally sung in vespers.In Lutheranism, the tonus peregrinus is associated with the Magnificat (also usually sung in vespers): the traditional setting of Luther's German translation of the Magnificat ("Meine Seele erhebt den Herren") is a German variant of the tonus ...