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Winters's critical style was comparable to that of F. R. Leavis, and in the same way he created a school of students (of mixed loyalty).His affiliations and proposed canon, however, were quite different: Edith Wharton's The Age of Innocence above any one novel by Henry James, Robert Bridges above T. S. Eliot, Charles Churchill above Alexander Pope, Fulke Greville and George Gascoigne above ...
Yvor Winters' memorable prose is highly polished, formal, and exacting. He was a fine stylist and a strikingly scrupulous interpreter of literary artworks. He was often and sometimes still is mistakenly considered one of the New Critics because of his many careful readings of individual works of poetry, fiction, and drama.
She married the American poet and critic Yvor Winters in 1926. Together they founded Gyroscope, a literary magazine that lasted from 1929 until 1931. [4] Lewis was elected a Fellow of the American Academy of Arts and Sciences in 1992. [6] She died at her home in Los Altos, California, in 1998, at the age of 99. [1]
In high school, he first corresponded with Yvor Winters who was then a graduate student at Stanford University and who later became an influential poet and critic. The death of Cunningham's father in an accident and the family's resulting financial hardship prevented Cunningham from continuing immediately to college.
Armstrong scripted the "basic layout" of the scene taking place in the video, while Cox and his scene partners were given "a lot of latitude" to improvise by Mylod. [5] The episode's portions taking place in Barbados were filmed on location, and were the last material to be shot for the series. [3]
Odds Against Tomorrow is a 1959 American film noir produced and directed by Robert Wise and starring Harry Belafonte, Robert Ryan and Ed Begley.Belafonte selected Abraham Polonsky to write the script, which is based on a novel of the same name by William P. McGivern.
These scenes, which form the majority of the video, take place in the ship's pilots quarters. The diptych presents views of the sets used for filming these scenes. Both photographs show the sets from a distance, exposing the sound stage in which they are situated. The sets are empty of people but lights and microphones are visible.
Red-Blooded American Girl II (also known as Hot Blooded, [1] Red Blooded 2, [1] and Hit & Run) [1] [2] is a 1997 Canadian thriller film by New Zealand-born director David Blyth. [3] It is billed as a sequel to Blyth's 1990 film Red Blooded American Girl , despite featuring a different cast and premise.