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"Good Vibrations" is a song by the American rock band the Beach Boys that was composed by Brian Wilson with lyrics by Mike Love. It was released as a single on October 10, 1966, and was an immediate critical and commercial hit, topping record charts in several countries including the United States and the United Kingdom.
Amir also wrote and produced "Wildside" and three other songs for Mark Wahlberg's debut album, as well as four songs on Wahlberg's second LP. "Good Vibrations" features a sample of American singer Loleatta Holloway singing "Love Sensation", written by Dan Hartman, and Hartman was given co-writer credits on later releases of Wahlberg's song.
In mid-1966, Brian began writing songs with lyricist Van Dyke Parks for a new album, Smile, that was never finished but would have included "Good Vibrations". [337] Wilson touted the album as a "teenage symphony to God" that would have surpassed Pet Sounds . [ 338 ]
The album's success was fueled by two top-10 singles, both of which were certified gold, "Good Vibrations", which went to No. 1 on the Billboard Hot 100, and "Wildside" which went to No. 10 on the Hot 100. The album itself first went gold on November 15, 1991, before being certified platinum on January 14, 1992.
Smile (sometimes stylized as SMiLE) [1] is an unfinished album by the American rock band the Beach Boys that was intended to follow their 1966 album Pet Sounds.It was to be an LP of twelve tracks assembled from modular fragments, the same editing process used for their "Good Vibrations" single.
Good Vibrations is a Broadway jukebox musical conceived and directed by John Carrafa featuring the music of Brian Wilson and The Beach Boys. It opened February 2, 2005, at the Eugene O'Neill Theatre and ran for 94 performances before closing on April 24, 2005. [ 1 ]
Taylor Swift. John Shearer/TAS23/Getty Images for TAS Rights Management Update: 10/25/23 at 2:25 PM E.T. One day later, Swift shared another set of handwritten lyrics — but took a different ...
"God Only Knows" is a song by the American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, it is a baroque-style love song distinguished for its harmonic innovation and complexity, unusual instrumentation, and subversion of typical popular music conventions, both lyrically and musically.