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He was not the only Aztec god to be depicted in this fashion, as numerous other deities had skulls for heads or else wore clothing or decorations that incorporated bones and skulls. In the Aztec world, skeletal imagery was a symbol of fertility, health and abundance, alluding to the close symbolic links between life and death. [8]
Miquiztlitecuhtli, god of death. Tlāloc, god of rain, lightning, and thunder. Tlaloc is associated with fertility and agriculture. Tlaloc pierces the clouds' bellies to make them rain in the first layer of the Thirteen Heavens. [4] Tlāloqueh, gods of rain, weather, and mountains. Tlaloc had also been considered the ruler of this motley group.
However, Huitzilopochtli was known as the primary god of war in ancient Mexico. [30] Since he was the patron god of the Mexica, he was credited with both the victories and defeats that the Mexica people had on the battlefield. The people had to make sacrifices to him to protect the Aztec from infinite night. [31]
Quetzalcoatl, god of life, the light and wisdom, lord of the winds and daytime, ruler of the West. Huitzilopochtli, god of war and sacrifice, lord of the sun and fire, ruler of the South. Xolotl, god of lightning, death, and fire, associated with Venus as the Evening Star (Twin of Quetzalcoatl) Ehecatl, god of wind (a form of Quetzalcoatl)
Mictecacihuatl, goddess of death and ruler of Mictlan (the Underworld). Itztlacoliuhqui, god of darkness, storms, disasters and frost. Sacrifice gods Itzpapalotltotec, god of sacrifice; Itzpapalotlcihuatl, goddess of sacrifice; Tlaloc, god of thunder, rain and the earth. He is also a fertility god.
Discovered off the steps of the Aztec's holiest temple during the reign of the empire's most powerful ruler, the sacrificial offerings also include a young boy, dressed to resemble the Aztec war ...
Nahua metaphysics centers around teotl, "a single, dynamic, vivifying, eternally self-generating and self-regenerating sacred power, energy or force." [9] This is conceptualized in a kind of monistic pantheism [10] as manifest in the supreme god Ometeotl, [11] as well as a large pantheon of lesser gods and idealizations of natural phenomena such as stars and fire. [12]
On the 500th anniversary of the Spanish conquest of the Aztecs in Mexico, on Aug. 13, 1521, the documentary "499" from Rodrigo Reyes tackles colonialism's shadow.