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Roderigo is a fictional character in Shakespeare's 1604 play Othello. Roderigo, a wealthy Venetian, is manipulated into funding the antagonist Iago's plot against Othello in the hopeless belief that Iago will aid him in courting Othello's wife Desdemona. In the later acts, Iago recruits Roderigo to assassinate Othello's former lieutenant ...
Othello, a General in the Venetian army, promotes a young officer, Michael Cassio, enraging Iago—the General's ensign—who expected the post himself. Outwardly loyal to Othello and his recently married wife, Desdemona, Iago proceeds to cause dissension within Othello's camp (for instance, tuning Othello's new father-in-law against him, and causing Cassio to fight another officer).
Martin Orkin's 1987 essay Othello and the "Plain Face" of Racism acknowledges the racist sentiments in the play; but vindicates Shakespeare who confines these views to discredited characters such as Iago, Roderigo and Brabantio. [91]
Iago (/ i ˈ ɑː ɡ oʊ /) is a fictional character in Shakespeare's Othello (c. 1601–1604). Iago is the play's main antagonist, and Othello's standard-bearer.He is the husband of Emilia who is in turn the attendant of Othello's wife Desdemona.
Othello is the title character of Othello. A Moorish general in the Venetian army, he is persuaded by Iago that his wife Desdemona is having an affair with Michael Cassio. Some Outlaws, three of which are speaking roles, initially try to rob Valentine, but decide to invite him to be their leader, in The Two Gentlemen of Verona.
Brabantio (sometimes called Brabanzio) is a character in William Shakespeare's Othello (c. 1601–1604). He is a Venetian senator and the father of Desdemona. Brabantio makes his first appearance in 1.1 when Iago and Roderigo rouse him with the news that Desdemona has eloped. In 1.2, Brabantio is led to the Sagittary, where the newlyweds are ...
There is debate among critics as to Emilia's character nature in Othello, with some deeming her a villain and some as the true hero of the play.This is because her allegiances initially seem to lie with her husband, and she displays the typical “wifely virtues of silence, obedience, and prudence" [2] of the Elizabethan period (as seen in her theft of the handkerchief in 3.1).
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