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Igbo Christian Music (also referred to as Igbo gospel music) is an Igbo traditional musical genre written, performed, and sung to narrate or express Christian faith, values, or topics. [1] The genre is vibrant and spiritually uplifting.
Goosebumps The Musical: Phantom Of The Auditorium (also known as Goosebumps The Musical) is a musical with book and lyrics by John Maclay, and music and lyrics by Danny Abosch. It is based on Phantom of the Auditorium, book 24 of the bestselling Goosebumps book series by R.L. Stine, published by Scholastic Publishing.
His lyrics draw inspiration from Igbo folklore and proverbs. [5] "Ka Esi Le Onye Isi Oche" is an example of Igbo highlife music, characterised by its rhythmic instrumentation and storytelling lyrics. [3] [4] The song narrates a classic Igbo folktale centered around the cleverness of the tortoise, Mbe, and the might of the elephant, Enyi.
Owerri Bongo (Bongo/Igbo Bongo) is a style of Igbo highlife music that has its origins in the Igbo people of Owerri and spread around all Imo State, which is in eastern Nigeria. The musical style is a sub-genre of Igbo highlife music. [1] Unlike Igbo highlife, which is known for its brass horns and often somber feel.
A typical udu. Igbo music (Igbo: Egwu nkwa ndi Igbo) is the music of the Igbo people, who are indigenous to the southeastern part of Nigeria.The Igbo traditionally rely heavily on percussion instruments such as the drum and the gong, which are popular because of their innate ability to provide a diverse array of tempo, sound, and pitch. [1]
Wilberforce William Chukudinka Echezona // ⓘ (18 August 1926 – November 1987) was a Nigerian musicologist and a pioneer teacher of music in Nigerian universities. He was the first Igbo man to be educated at London's Trinity College of Music, [1] and the first African to obtain a degree in music education in the United States, [2] where he received a PhD from Michigan State University in 1963.
ọjà. The ọjà // ⓘ is an integral part of the rich cultural heritage of the Igbo people and continues to play a significant role in their musical traditions. The Igbo people, who are indigenous to Nigeria, are renowned for the utilization of the ọjà (flute) traditional musical instrument in cultural activities or events.
Ogene music remains musically conceived and socially situated in Igbo culture as a piece of “absolute” music that is often incorporated into other Igbo genres of music. [19] When the lyrics to the performance are rendered,the instrumentalists repeatedly use a consistent underlying theme while occasionally adding variations to the background ...
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