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Candy-O is the second studio album by American new wave band the Cars, released on June 2, 1979, by Elektra Records. Produced by Roy Thomas Baker, the album spawned two singles, "Let's Go" and "It's All I Can Do". The album outperformed the band's debut, peaking at number three on the US Billboard 200.
Anna Mae had been his model and business manager, his muse in every way. The publication of his autobiography in 1978 renewed interest in his work and brought him partially out of his self-imposed retirement to do a few works, such as album covers for The Cars (Candy-O, 1979) and Bernadette Peters (Bernardette Peters, 1980; Now Playing, 1981 ...
The core guitar riff that "Dangerous Type" is centered on resembles the T. Rex song, "Bang a Gong". [1] [2] The song features Ric Ocasek on lead vocals.AllMusic critic Tom Maginnis compared the song to "All Mixed Up", a track on The Cars' self-titled debut album, as they both were the final track on their respective albums, with both tracks "vamping on an upsweep of grand chord changes as the ...
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"Candy-O" is a song by the American rock band the Cars, the title track of their 1979 album Candy-O. Written by Ric Ocasek, the song was not based on a real person. [1] The song features a prominent guitar solo by Elliot Easton and lead vocals by bassist Benjamin Orr.
"Let's Go" was released as the debut single from Candy-O in June 1979. The song's B-side is a non-album track titled "That's It" that features Benjamin Orr on lead vocals. The single peaked at number 14 on the Billboard Hot 100 singles chart in the US, [4] making it the first song by The Cars to reach the Billboard top 20. The song was an even ...
Candy’s journey, and the journey of trans people, continues. Get the latest book news, events and more in your inbox every Saturday. This story originally appeared in Los Angeles Times .
On the Candy-O album, this song segues via cross-fading into the next song, "Shoo Be Doo", which, in turn, segues into the album's title track. Aside from being in the same relative keys (C major and A minor), the two have nothing in common. This trick of connecting multiple songs by crossfading or short segueways tempted radio programmers, in ...