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Monica Mok as Kimberly Song Chi-wah (宋子樺) Cho Chi-wan's second wife. Caused the death of Yiu Dai-ming and Poong Siu-kei's father. Villain. Tiffany Tang as Tang Yiyi (唐一一) Cho Chi-yuen's girlfriend, Tang Qiqi's sister, Poon Siu-kei's halfblooded older sister, died of the car accident in episode 7. Sun Xing and *Li Ang as Yiu Dai-ming ...
In Confucianism, yi involves a moral disposition to do good, and also the intuition and sensibility to do so competently. [1] [2] Yi represents moral acumen which goes beyond simple rule following, involving a balanced understanding of a situation, and the "creative insight" and decision-generating ability necessary to apply virtues properly and appropriately in a situation with no loss of ...
Chi-tsang argues that metaphysical speculation of Being and Nothingness is a disease (ping). It is the root of all erroneous or perverted views. The cure of the disease lies not so much in developing a new metaphysical theory as in understanding the proper nature and function of human conceptualization and language.
In the Wujing yiyi (五經異義, "Different Meanings in the Five Classics"), Xu Shen explains that the designation of Heaven is quintuple: [27] Huáng Tiān (皇天), "August Heaven" or "Imperial Heaven", when it is venerated as the lord of creation. Hào Tiān (昊天), "Vast Heaven", with regard to the vastness of its vital breath (qi).
Zhiyi (Chinese: 智顗; pinyin: Zhìyǐ; Wade–Giles: Chih-i; Japanese pronunciation: Chigi; Korean: 지의; 538–597 CE) also called Zhizhe (智者) or Chen De'an (陳德安), was the fourth patriarch of the Tiantai tradition of Buddhism in China.
Boyi and Shuqi have been used as artistic references in painting, poetry, and literature, including a surviving painting by Li Tang and references in poems by Du Fu, and others. [14]
Earlier Tang era historical texts of the 9th century have this to say of Yi Xing's work in astronomical instruments in the 8th century (Wade–Giles spelling): One (of these) was made in the image of the round heavens (yuan thien chih hsiang) and on it were shown the lunar mansions (hsiu) in their order, the equator and the degrees of the ...
Li was a typical Late Tang poet: his works were sensuous, dense and allusive. The latter quality made adequate translation extremely difficult. The political, biographical, or philosophical implications contained in some of his poems have been a subject of debate for many centuries in China.