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The Fat of the Land is the third studio album by English electronic music group the Prodigy, released on 30 June 1997 through XL Recordings.The album received critical acclaim and topped the UK Albums Chart and the US Billboard 200.
Always Outnumbered, Never Outgunned is the fourth studio album by English electronic music group the Prodigy.It was first released on 11 August 2004 in Japan, on 23 August 2004 in the United Kingdom by XL Recordings, and on 15 September 2004 in the United States by Maverick Records.
[112 featuring Prodigy] 2001 — "Hold You Down" (The Alchemist featuring Prodigy, Nina Sky and Illa Ghee) 2004 95: 47 — 1st Infantry "New York City" [12] (Troy Ave featuring Raekwon, N.O.R.E. and Prodigy) 2013 — — — New York City: The Album "Chase the Paper" (50 Cent featuring Prodigy, Styles P and Kidd Kidd) 2014 — — — Animal ...
It should only contain pages that are The Prodigy albums or lists of The Prodigy albums, as well as subcategories containing those things (themselves set categories). Topics about The Prodigy albums in general should be placed in relevant topic categories .
It ranked at No. 7 on the US Dance Albums chart and attained several Top 20 placements in other European countries. No Tourists is the final studio album to feature Keith Flint, who passed away in March 2019. [1] To support the album, the Prodigy began a world tour in November 2018. After Flint's death, the remaining tour dates were canceled.
From contemporary reviews, Kris Needs of NME declared that "the time-pod to enable future generations to get a handle on what happened in 1992, The Prodigy's debut album will be a much safer bet to illustrate the Rave Phenomenon than any half-assed "40 Bowel-Erupting Rave Greats" compilation. If only to show what killed it, some would say."
It should only contain pages that are The Prodigy songs or lists of The Prodigy songs, as well as subcategories containing those things (themselves set categories). Topics about The Prodigy songs in general should be placed in relevant topic categories .
Music for the Jilted Generation incorporates elements of rave, [3] breakbeat techno, [3] techno, [4] and hardcore techno. [5]The album is largely a response to the corruption of the rave scene in Britain by its mainstream success, as well as the United Kingdom's Criminal Justice and Public Order Act 1994, which criminalised raves and aspects of rave culture. [3]