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According to Christian Friedrich Daniel Schubart, A major is a key suitable for "declarations of innocent love, ... hope of seeing one's beloved again when parting; youthful cheerfulness and trust in God." [3] For orchestral works in A major, the timpani are typically set to A and E a fifth apart, rather than a fourth apart as for most other keys.
If a piece of music (or part of a piece of music) is in a major key, then the notes in the corresponding major scale are considered diatonic notes, while the notes outside the major scale are considered chromatic notes. Moreover, the key signature of the piece of music (or section) will generally reflect the accidentals in the corresponding ...
Major and minor third in a major chord: major third 'M' on bottom, minor third 'm' on top. Major and minor may also refer to scales and chords that contain a major third or a minor third, respectively. A major scale is a scale in which the third scale degree (the mediant) is a major third above the tonic note.
A key signature indicates the prevailing key of the music and eliminates the need to use accidentals for the notes that are always flat or sharp in that key. A key signature with no flats or sharps generally indicates the key of C major or A minor, but can also indicate that pitches will be notated with accidentals as required.
In all major scales with flat key signatures, the tonic in a major key is a perfect fourth below the last flat. When there is more than one flat, the tonic is the note of the second-to-last flat in the signature. [11] In the major key with four flats (B ♭ E ♭ A ♭ D ♭), for example, the second to last flat is A ♭, indicating a key of A ...
Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major or minor mode, though musicians assume major when this is not specified; for example "This piece is in C" implies that the key of the piece is C major.
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
Relative keys are the most closely related, as they share exactly the same notes. [3] The major key and the minor key also share the same set of chords. In every major key, the triad built on the first degree (note) of the scale is major, the second and third are minor, the fourth and fifth are major, the sixth minor and the seventh is ...