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The Beatles Illustrated Lyrics is a set of two books combining the lyrics of songs by the Beatles with accompanying illustrations and photographs, many by leading artists of the period. Comments from the Beatles on the origins of the songs are also included. [1] The book was edited by Alan Aldridge, who also provided many of the illustrations. [2]
Por Siempre Beatles is a compilation album by the English rock group the Beatles, released in 1971 in Spain (as EMI/Odeon J060-04973) [1] and Latin America. [2] It contains various songs from 1965 to 1968 that had not appeared on a British studio album by the Beatles.
Yesterday and Today (also rendered as "Yesterday" ... and Today in part of the original packaging) [4] is a studio album by the English rock band the Beatles.Released in the United States and Canada in June 1966, it was their ninth album issued on Capitol Records and twelfth American release overall.
Magical Mystery Tour is a record by the English rock band the Beatles that was released as a double EP in the United Kingdom and an LP in the United States. It includes the soundtrack to the 1967 television film of the same name.
SoftlyAndTenderly "Softly and Tenderly" is a Christian hymn.It was composed and written by Will L. Thompson in 1880. [1] It is based on the Bible verse Mark 10:49. [2]Dwight L. Moody used "Softly and Tenderly" in many of his evangelistic rallies in America and Britain.
This is a list of cover versions by music artists who have recorded one or more songs written and originally recorded by English rock band The Beatles.Many albums have been created in dedication to the group, including film soundtracks, such as I Am Sam (2001) and Across the Universe (2007) and commemorative albums such as Sgt. Pepper Knew My Father (1988) and This Bird Has Flown (2005).
[258] Beatles producer George Martin said: "Ringo hit good and hard and used the tom-tom well, even though he couldn't do a roll to save his life", but later said, "He's got tremendous feel. He always helped us to hit the right tempo for a song, and gave it that support – that rock-solid back-beat – that made the recording of all the ...
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.