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Undine Rising From the Waters, by Chauncey Bradley Ives Rococo set of personification figurines of the Four Elements, 1760s, Chelsea porcelain. An elemental is a mythic supernatural being that is described in occult and alchemical works from around the time of the European Renaissance, and particularly elaborated in the 16th century works of Paracelsus.
The classical elements typically refer to earth, water, air, fire, and (later) aether which were proposed to explain the nature and complexity of all matter in terms of simpler substances. [ 1 ] [ 2 ] Ancient cultures in Greece , Angola , Tibet , India , and Mali had similar lists which sometimes referred, in local languages, to "air" as "wind ...
Several notable Celtic scholars, including Joseph Loth and Kuno Meyer, have preferred to derive it rather from Old Irish bolc "gap, breach, notch" (cognate with Welsh bwlch), suggesting a linguistic link with the second element in the name of Fergus mac Róich's sword, Caladbolg and King Arthur's sword Caledfwlch.
Fufluns, god of plant life, happiness and health and growth in all things; Liber, cognate for Bacchus/Dionysus; Nemestrinus, god of the forests and woods; Ops, goddess of fertility and the earth; Pilumnus, nature god who ensured children grew properly and stayed healthy; Pomona, goddess of fruit trees, gardens and orchards
La Sylphide Bourbon, A.M. Bininger & Co. Bourbon advertising label in the shape of a glass showing a man pursuing three sylphs. The Swiss German physician and alchemist Paracelsus first coined the term sylph in the 16th century to describe an air spirit in his overarching scheme of elemental spirits associated with the four Classical elements.
Ancient Greek taboos and prohibitions could also find a place in mythological narrative, as some provided cautionary tales in the form of a fable. [6] Myths about nature, and the transformation into it, attempted to provide a coherent history and tell the origins of the world, the nature, animals, humans and the gods themselves. [7]
Mythology was at the heart of everyday life in Ancient Greece. [16]: 15 Greeks regarded mythology as a part of their history. They used myth to explain natural phenomena, cultural variations, traditional enmities, and friendships. It was a source of pride to be able to trace the descent of one's leaders from a mythological hero or a god.
The Indo-European cosmogony refers to the creation myth of the reconstructed Proto-Indo-European mythology.. The comparative analysis of different Indo-European tales has led scholars to reconstruct an original Proto-Indo-European creation myth involving twin brothers, * Manu-('Man') and * Yemo-('Twin'), as the progenitors of the world and mankind, and a hero named * Trito ('Third') who ...