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Christof Thoenes observes: "However unabashedly Raphael adopts the pose, compositional framework and spatial organization of the Leonardo portrait...the cool watchfulness in the young woman's gaze is very different" from the "enigmatic ambiguity" of Mona Lisa. [2] The work was of uncertain attribution until recent times.
"La Fornarina (The Portrait of a Young Woman) is a painting by the Italian High Renaissance master Raphael, made between 1518 and 1519. It is an oil-on-panel with 86 x 58 cm dimensions, located in Room IX of the Borghese Gallery.In Olimpia Aldobrandini's two inventories (1626 and 1682), the art work is attributed to Raphael.
Ingres used Raphael's own self-portrait, located in the Uffizi, as his model for the painter. [9] Ingres focused on details in creating the work. [ 17 ] The contrast between the living, breathing Fornarina as opposed to the idealized Fornarina on the canvas, on the easel, is central to this painting.
Portrait of Doña Isabel de Requesens y Enríquez de Cardona-Anglesola is an oil painting dated circa 1518 that was formerly believed to depict Giovanna d'Aragona.It has been variously ascribed to Raphael, Giulio Romano, or the school of Raphael; it is now usually taken to have been executed by Giulio Romano based on a sketch by Raphael and then altered by Raphael.
The image depicts three of the Graces of classical mythology. It is frequently asserted that Raphael was inspired in his painting by a ruined Roman marble statue displayed in the Piccolomini Library of the Siena Cathedral—19th-century art historian [Dan K] held that it was a not very skillful copy of that original—but other inspiration is possible, as the subject was a popular one in Italy.
Portrait of Maddalena Doni: Uffizi, Florence, Italy: Oil on panel 63 x 45 1506: Lady with a Unicorn: Galleria Borghese, Rome, Italy: Oil on panel 65 x 51 1506: The Holy Family With a Palm Tree [Wikidata] Scottish National Gallery, Edinburgh, United Kingdom: Oil and gold on canvas transferred from panel diameter 101,5 c. 1506: Self-portrait
The fresco was part of Raphael's commission to decorate the private apartments of Pope Julius II. These rooms are now known as the Stanze di Raffaello . After completing his three monumental frescoes Disputation of the Holy Sacrament , The Parnassus , and The School of Athens in the Stanza della Segnatura, in 1511 Raphael painted the Cardinal ...
Raffaello Sanzio da Urbino [a] (Italian: [raffaˈɛllo ˈsantsjo da urˈbiːno]; March 28 or April 6, 1483 – April 6, 1520), [2] [b] now generally known in English as Raphael (UK: / ˈ r æ f eɪ. ə l / RAF-ay-əl, US: / ˈ r æ f i. ə l, ˈ r eɪ f i-, ˌ r ɑː f aɪ ˈ ɛ l / RAF-ee-əl, RAY-fee-, RAH-fy-EL), [4] was an Italian painter and architect of the High Renaissance.